Visions of an Icon: Wolverine by Leonard Kirk


Leonard Kirk is an American born comic book artist who lives in Ontario, Canada. He has worked on such properties as Supergirl, JSA, Star Trek, Batman, and Witchblade. Currently Kirk is exclusively signed for Marvel Comics.

Kirk first broke into the comics field pencilling issue #5 of the Malibu Comics title Dinosaurs for Hire and issue #1 of Captain Canuck vol.2. He then went on to pencil Star Trek: Deep Space Nine comics for Malibu.

In 1995, he began working with Marvel, penciling the Ultragirl miniseries.

In 1997, he began a long association with DC Comics, beginning with a nearly 60 issue run on the Peter David written Supergirl series. Following that, he penciled the Dan Jolley written Bloodhound, the Fred Van Lente written Scorpion story in the Marvel anthology title Amazing Fantasy, and the humorous mini-series, Freshmen, written by Seth Green and Hugh Sterbakov, for Top Cow.

He returned for a year to work at DC, filling in on Aquaman and doing the layouts in Detective Comics’ “One Year Later” storyline “Face the Face” that ran through both Batman and Detective Comics.

Later in 2006, Kirk signed an exclusive deal with Marvel Comics, and his first project being a five issue Jeff Parker written Agents of Atlas miniseries. Marvel then assigned him to pencil Marvel Adventures: The Avengers (from issue #13 onwards), Spiderman Family, and a fill-in for the World War Hulk storyline in The Incredible Hulk #108.

Kirk’s most recent projects including providing the art for Captain Britain and MI: 13, written by Paul Cornell, and Dark X-Men, which started in November 2009.

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The piece shown above is one of over 40 pieces of original artwork featuring Wolverine donated to the Joe Shuster Awards for the Visions of an Icon Art Show and Sale by Canadian artists. The pieces were exhibited twice in 2009 – at the Joe Shuster Awards Ceremony in September and at the Speakeasy Comic Art Show in November. The original art pieces will be auctioned off on eBay in March 2010. Watch for announcements on this site!

Every day we will try to post an original piece and some information on the artist(s) that donated the work.

Visions of an Icon: Wolverine meets Angora Napkin by Troy Little

Troy Little was born March 7, 1973 in (or on more accurately) Prince Edward Island, Canada.

He graduated from the Sheridan College Interpretive Illustration program in 1994 then returned home to P.E.I. to work crappy jobs and live with his folks. A dark time indeed, but he did meet his future wife Carol then, so it’s not all bad.

They moved to Ottawa in 1995. Carol attended University and Troy ended up working in animation in a multitude of positions.

In 1999 Troy decided to spend his spare time pursuing a career in comics. Influenced by independent comic creators like Dave Sim (Cerebus) and Jeff Smith (Bone), Troy’s first comic “Chiaroscuro” was published in 2001.

Troy won a Xeric Grant for Chiaroscuro and published 7 issues of the series on a quarterly basis. The series was well received on a critical level but due to financial difficulties the series was put on hiatus.

Troy and Carol moved back to P.E.I. in 2003 to re-group. He was awarded a P.E.I. Council of the Arts grant to complete the first book of Chiaroscuro, which he did in 2005.

He soon began work on his second book, Angora Napkin.

IDW Publishing approached Troy in early 2007 about publishing Chiaroscuro after reading a positive review on Dave Sim’s blog. The hard cover edition was published in October 2007.

On August 22 & 23 of 2007 he became father of identical twin girls, Alicen and Hayden.

Chiaroscuro was released as a trade paperback in October 2008.

While finishing up production on the Angora Napkin  graphic novel the project was picked up as a pilot for Teletoon, Canada.

The hard cover Angora Napkin graphic novel was released January, 2009. The animated pilot was shown on the Teletoon Detour website and at the Ottawa International Animation Festival in the Fall of 2009.

Troy will be starting work on the second volume of Chiaroscuro. Likely as soon as he’s done building this website.

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The piece shown above is one of over 40 pieces of original artwork featuring Wolverine donated to the Joe Shuster Awards for the Visions of an Icon Art Show and Sale by Canadian artists. The pieces were exhibited twice in 2009 – at the Joe Shuster Awards Ceremony in September and at the Speakeasy Comic Art Show in November. The original art pieces will be auctioned off on eBay in March 2010. Watch for announcements on this site!

Every day we will try to post an original piece and some information on the artist(s) that donated the work.

Diamond announces the 2009 Gem Award Winners: The Hunter selected best original graphic novel

“DC Comics Voted Publisher of the Year by Comic Book Retailers;
Batman and Robin #1, Blackest Night #1 Lauded as Best Comics of 2009″

“Comic Book Retailers Honor Industry’s Bestsellers with 2009 Diamond Gem Awards”

(BALTIMORE, MD) — (January 29, 2009) — Diamond Comic Distributors is proud to announce the winners of the 2009 Diamond Gem Awards, recognized within the comic book industry as the pinnacle of sales achievement for comic book artists, writers, publishers, and industry executives who work in one of America’s most unique art forms.

“The ‘Gemmies’ are a fantastic opportunity for comic book retailers to honor suppliers and products that helped their businesses remain strong, despite a challenging economy,” said Diamond President and CEO Steve Geppi. “We congratulate the 2009 Gem Award winners, who truly deserve this recognition, and look forward to many more years of excellence from these and all of the valued publishers and suppliers that keep our industry growing.”

After being unseated by Marvel Comics last year, DC Comics regained the Comic Book Publisher of the Year award in 2009 for the multi-million dollar comic book specialty market. DC also took home the most Gem Awards with ten, most notably winning Comic Book  of the Year Under $3.00 for Batman and Robin #1,  Comic Book  of the Year Over $3.00 for Blackest Night #1, and Trade Paperback of the Year for perennial bestseller, The Watchmen TP.

“The long and supportive relationship between DC and the direct market is exemplified by these ten Gem Awards, and we thank the retailers for the recognition, and all they do to connect our comics with our readers,” said DC Comics President and Publisher Paul Levitz.

“Outstanding! Ten Gem Awards!” added DC Vice President of Sales Bob Wayne. “A big thank you from everyone at DC to our partners in the retail community. Thanks for your continued support.

”

Dark Horse Comics’ Buffy the Vampire Slayer hit a double-header for the Oregon-based publisher, with issue #22 awarded Licensed Comic of the Year and the Season 8 TP Volume 4: Time of Your Life winning Licensed TP of the Year.

Other publishers also fared well, with BOOM! Studios recognized as Comic Book Publisher of the Year (Under 4%) and VIZ Media as Manga Publisher of the Year. In the category of Original Graphic Novel of the Year, IDW Publishing’s bestselling Richard Stark’s Parker: The Hunter HC took home the prize.

The Gem Awards are selected in a three-step process that is based on quality, creativity, and their overall sales impact. Nominees were selected by a panel of Diamond industry professionals from all products shipped in 2009 and then voted on by the most critical segment that serves the comic book-buying public—comic book specialty retailers across the U.S. and abroad.

For a complete list of 2009 Diamond Gem Award winners and product photos visit www.diamondcomics.com/gemawards

2009 Diamond Gem Award Winners

2009 Comic Book Publisher of the Year Over 4%:  DC Comics
2009 Comic Book Publisher of the Year Under 4%:   BOOM! Studios
2009 Backlist Publisher of the Year:  DC Comics
2009 Manga Publisher of the Year:  VIZ Media
2009 Toy Manufacturer of the Year:  DC Direct
2009 Game Manufacturer of the Year:  Wizards of the Coast (WotC)
2009 Sports Card Manufacturer of the Year:  The Upper Deck Company
2009 Non-Sports Card Manufacturer of the Year:  Rittenhouse Archives
2009 Video Manufacturer of the Year:  Warner Home Video
2009 Comic Book of the Year Under $3.00:  Batman and Robin #1 (DC Comics)
2009 Comic Book of the Year Over $3.00:  Blackest Night #1 (DC Comics)
2009 Licensed Comic of the Year:  Buffy the Vampire Slayer #22 (Dark Horse Comics)
2009 Licensed TP or HC of the Year:  Buffy the Vampire Slayer Season 8 TP Volume 4: Time of Your Life (Dark Horse Comics)
2009 Original GN of the Year:  Richard Starks’ Parker: The Hunter HC  (IDW)
2009 Indie GN of the Year:  League of Extraordinary Gentlemen III: Century #1 – 1910 (TopShelf Productions)
2009 Manga TP of the Year:  Naruto TP Volume 45 (Viz Media)
2009 Reprint TP or HC of the Year:  Watchmen TP (DC Comics)
2009 Anthology TP of the Year:  Toon Treasury of Classic Children’s Comics HC (Abrams Comicarts)
2009 Trade Book of the Year:  Pride and Prejudice and Zombies SC (Chronicle Books)
2009 Magazine of the Year:  DC Super-Hero Figurine Collection (Eaglemoss Publications)
2009 Toy Product of the Year:  Hot Toys’ The Dark Knight 1/6 Scale Joker (DC Direct)
2009 Toy Line of the Year:  Blackest Night (DC Direct)
2009 Collectible Statue of the Year:  Cover Girls of the DCU Statue: Wonder Woman (DC Direct)
2009 Mini-Bust of the Year:  Heroes of the DCU: Superman Bust (DC Direct)
2009 Sports Card Product of the Year:  Topps 2009 Series 1 Hobby MLB T/C Box (Topps)
2009 Non-Sports Card Product of the Year:  X-Men Archives T/C Box (Rittenhouse)
2009 Game Product of the Year:  Magic: The Gathering TCG 2010 Core Set (Wizards of the Coast)
2009 Audio / Visual Media of the Year:  Dr Horrible’s Sing Along Blog DVD (New Video)

Dave Sim nominated for a ComicsPro Industry Appreciation Award

ComicsPRO Announces Nominees for Industry Appreciation Award
Retailer Group Seeks to Honor Efforts to Improve Comics Specialty Market

The direct market remains the way most comic-book stories get from creator to fan. ComicsPRO, the largest organization of direct-market retailers, wants to honor those people who stand in that gap and help smooth that process. From publishers, distributors, marketers and more, a lot of people are involved in bringing the stories we all love to market. ComicsPRO would like to stand up and recognize those who have been simply the best at what they do, making the comic-book direct market more successful for all of us.

ComicsPRO has created The ComicsPRO Industry Appreciation Award to honor these individuals, and the first winners of the award will be announced at this year’s ComicsPRO Annual Members’ meeting in Memphis, TN from March 25-27.

There are two categories for the Industry Appreciation Award, one for professionals who are still active in the business of comics and one for those who have passed away and left an indelible mark on the profession of comic book specialty retailing. After a period of accepting nominations from members, the ComicsPRO Board of Directors presents this final ballot. Members will vote for one Award recipient from each category.

The 2010 nominees for the ComicsPRO Industry Appreciation Award:
o Neil Gaiman
o Steve Geppi
o Paul Levitz
o Dave Sim
o Bob Wayne

The 2010 nominees in the posthumous category for the ComicsPRO Industry Appreciation Award:
o Will Eisner
o Carol Kalish
o Phil Seuling
o Julius Schwartz

“ComicsPRO member retailers have been enthusiastic in working to make this award a reality,” said Joe Field, ComicsPRO President and the owner of Flying Colors Comics in Concord CA. “This award is unique in that it specifically highlights the contributions of professionals who have made—and still make— Hall-of-Fame level contributions to the business of comics.”

“The ComicsPRO Annual Membership meeting is the most business-focused of the meetings and conventions on the industry calendar,” said Amanda Emmert, ComicsPRO’s Communications Coordinator. “At the meeting, ComicsPRO members want to highlight the achievements of people who have made this industry a better and more successful place to work.”

ComicsPRO is the retailer trade and advocacy group with more than 140 members comprising more than 180 storefronts in 36 states and six Canadian provinces. The goals of ComicsPRO are to be the united voice of advocacy for direct market retailers, to provide educational and mentoring opportunities to current and future retailers, and to offer opportunities to reduce some of the mutual fixed costs retailers incur. Information and membership applications are available at http://www.ComicsPRO.org.

Brief biographical notes that accompany the ballots for the award follow.

Neil Gaiman
Gaiman is the award-winning author of Vertigo’s perennial best-selling SANDMAN series, the first comic book series to win the coveted HUGO award for Science Fiction and Fantasy. Gaiman’s writing has won many awards, including the Nebula, the Bram Stoker, the 2009 Newbery Medal and 19 Eisners. Gaiman’s popularity as a prose author has led to crossover success, as readers of his books often seek out his comic book work as well. Gaiman has also won the Comic Book Legal Defense Fund’s Defender of Freedom Award and the Bob Clampett Humanitarian Award.

Steve Geppi
As the founder and owner of Diamond Comic Distributors, for 27 years, he has provided an even hand in guiding the comic specialty market through good times and challenging times alike. Diamond Comic Distributors became the successor to direct market pioneer Phil Seuling’s distribution dream when Geppi took over New Media/Irjax’s warehouses in 1982. He bought out distributor Bud Plant in 1988 and main rival Capital City in 1996. Steve Geppi is also a former comic book retailer. Geppi has served on the board of the CBLDF, is the founder of Geppi’s Comic Museum, owner of Gemstone Publishing and is still an avid comic book collector.

Paul Levitz
The president of DC Comics from 2002–2009, Levitz has worked for DC for over 35 years in a wide variety of roles. In the early ‘70s, Levitz co-wrote and published a popular comic fan magazine, The Comic Reader, one of the early publications aimed at the comic shop market. At the age of 18, Levitz became a professional comic-book writer, penning the tales of the Legion of Super-Heroes. At age 20, he was the editor of Adventure Comics. For the next three decades, he served the company in a variety of editorial and executive roles. Levitz led DC Comics to found the Retailer Representative Program to get focused feedback from direct market retailers. Levitz has also served on the board of the CBLDF.

Dave Sim
In 1977, Dave Sim launched Cerebus, which became the longest-running independent series of all-time. Twenty-seven years and 300 issues later, Sim wrapped up his magnum opus. A tireless promoter of his series and the direct market, Sim’s art, lettering, and storytelling innovations have influenced a new generation of independent storytellers. Sim was an early proponent of the trade paperback, keeping his “Cerebus” storylines in print in so-called “phonebooks.” In the 1980s and early 1990s, Sim promoted self-publishing and creators’ rights. He published “The Cerebus Guide to Self-Publishing” and helped create “The Creator’s Bill of Rights” with Scott McCloud and others. His most recent projects include “Judenhass” and “Glamourpuss.”

Bob Wayne
Wayne, a former comic book retailer in the Dallas/Fort Worth TX area, joined DC Comics in the mid ‘80s as a Direct Sales manager and has been on the forefront of the changes in the comics business ever since. Currently serving as DC’s Vice President of Sales, Wayne has always maintained his loyalty to the field of comics specialty retailing and has been responsible for many of DC’s retailer-friendly best practices. Wayne is a recipient of the Inkpot Award, commemorating his years of service to the comics industry and his work with Comic-Con International.

Posthumous category

Will Eisner
A true visionary and comics industry pioneer, Eisner’s touch has been felt in all aspects of the comics community. On the creative side, Eisner’s breadth of material spans the eight decades of American comics history, veering from his earliest efforts in adventure and superhero comics while the medium was in its infancy, to 35 years of more mature work best exemplified by the standard-bearer for all graphic novels, A Contract With God. His impeccable design sense raised the bar for every artist that came with and after him. On the business side, Eisner understood the unique relationship between creator and retailer, founding the “Spirit of Comics” award that recognizes the work of the industry’s brightest retailers. Eisner passed away in January 2005 at the age of 87.

Carol Kalish
As Marvel’s Direct Sales Manager from the mid-’80s to early ‘09s, Kalish was instrumental in professionalizing the field of comics’ specialty retailer. With her guidance, Marvel engaged the retail community to push sales, not only of Marvel products, but all products leading to a more profitable direct market. Kalish spearheaded programs to make cash registers and discounted store fixtures available to retailers wanting to upgrade their operations. Carol passed away in September 1991 at the age of 36.

Julius Schwartz
Schwartz started his career in 1932 as the co-publisher of Time Traveller, among the first science fiction fanzines. Schwartz, along with Mort Weisinger, founded the Solar Sales Service literary agency in 1934, where Schwartz represented such noted authors as Alfred Bester, Robert Bloch, Ray Bradbury, and H. P. Lovecraft. Schwartz also helped organize the first World Science Fiction Convention in 1939. In 1944 he went to work as an editor for All-American Comics, which soon merged with National Periodical Publications to form DC Comics. Schwartz was best-known for his work at DC Comics, which reinvigorated the superhero genre in the comics industry. His updating of 1940s characters for the modern era revolutionized DC Comics. He died in February 2004 at the age of 88.

Phil Seuling
The organizer and founder of the New York Comic Art Conventions of the ‘70s, Seuling is the founder of the direct-market form of comic-book distribution. Seuling, a school teacher with a passion for comics, arranged distribution deals to buy DC and Marvel Comics direct from the publishers. In 1974, Seuling founded Seagate Distribution, which sold comics non-returnably, and the Direct Market was born. In an age where comic shops were merely second-hand collectors’ stores, Seuling saw the potential for making a direct connection between comic publishers and their most rabid fans. In a real sense, our livelihoods are possible because of Seuling’s foresight more than 35 years ago. Phil Seuling passed away in 1984 at the age of 50.

Comic Retailers – The Dungeon (Dundas, ON)

The Dungeon, located in Dundas, ON, is one of a handful of new comic book stores to open across Canada last year.

strong>If you would like to see your store profiled here, please contact us: retailers@joeshusterawards.com.

Owner’s Name: Logan Murray

Number of Employees: 1

Years in Business: 3 Months

Physical Address: 8 King Street East, Dundas, ON, L9H 1B8

Telephone Number: 905-628-6111

Website: www.dungeoncomics.ca

Email: logan@dungeoncomics.ca

How did you choose your store name?

After choosing my location the name became pretty easy: to get into the store you have to walk down a flight of stairs and when you step in you have this large space with no windows and no other exit, a dungeon was the way i would describe it.

Favorite Comic Book, published in the past few months:

Blackest Night has been my favourite story line the last few months, which is saying a lot because I have always lived by the motto “Make Mine Marvel!”

Five all-time classic comics, graphic novels or story arcs:

My favourites story lines have been

The Dark Phoenix Saga

the complete run of The Walking Dead (there hasn’t been a bad story yet)

Secret Wars

Maximum Carnage

and the X-Men story introducing The Brood (Uncanny X-Men #155-157, #161-167)

What are you excited about for this coming year? What are your plans for the next 12 months?

I plan on expanding the number of graphic novels and toys I stock and concentrating on taking care of my customers’ needs.

What has been one of the most rewarding parts of running your business?

The customers and the honest interaction you get from people who have the same interests. I’m not just another store owner, I actually enjoy the books and the culture.

What has been one of the biggest challenges?

Letting people know that I’m open. I have tried print ads with very little success and have found word of mouth is by far the best means.

Why are you a comics retailer?

Why not? I couldn’t imagine owning any other type of business. This has been a life long wish!

Product Lines Carried:

We carry a good selection of new release and back issue comics, a large selection of toys/action figures, graphic novels, collectible card games, and some sports cards.

Best selling floppy/monthly books:

Blackest Night right now, but with Siege starting for Marvel, it could be close.

What percentage of your business is comics compared to the peripherals of a ‘culture store’?

About 50/50.

What are your Best selling graphic novel books?

Walking Dead is one of my best selling graphic novel/tpb’s and its also a great read

What great comic/manga should everyone under 14 be reading?

Amazing Spider-man; the story lines have been consistently great.

What comic/manga would you recommend for an adult interested in returning to comics?

Either the Walking Dead or Grimm Fairy Tales.

How important is the web to your business?

As a fledgling business, the more ways to get your information out there the better and the web is great for that.

Does your store have an area of expertise? What makes your store unique?

Just a really good overall knowledge of the titles and excellent customer service background.

Do you participate in Free Comic Book Day?

Yes, this May will be my first, but I will be participating.

What aspect of your store are you most proud?

The cleanliness and overall appearance of the store. It’s not your typical overcrowded mess that more and more comic stores have become over the years.

Graphic Novels have been a growth product for large bookstore chains, does this affect your customer base or business?

Large book chains cater to the masses, which for some people may be alright, but they only carry the most popular of titles and have no real knowledge of the books. Where I can communicate with the customers and help them with finding what they are looking for or even offer interesting new titles.

See our other retailer interviews:

Elfsar Comics & Toys (Vancouver, BC), Blue Beetle Comics (Barrie, ON), Heroes Comics (London, ON), The Comic Book Collector (London, ON), Cover to Cover (Winnipeg, MB), The Dragon (Guelph, ON), 8th Street Comics & Books (Saskatoon, SK), Downtown Comics (St. John’s, NL), L.A. Mood Comics & Games (London, ON), Stadium Comics (Brampton, ON), Legends Comics & Books (Victoria, BC), Worlds Collide (Oshawa, ON), Comic Encounters (Terrace, BC), Another Dimension (Calgary, AB), The Neutral Zone Comics and Collectables (Niagara Falls, ON), Amazing Fantasy (Red Deer, Alberta), Big B Comics (Hamilton, Ontario)

Happenings: Toronto Comic Jam – Jan 26th

The Comic Jam is happening tomorrow night!

When: Tuesday, January 26th from 9pm to 12am-ish
Where: Cameron House, backroom, 408 Queen St. W., Queen-Spadina. What: Bring your own pens; paper provided.

See you there!

TCJ mailing address is:
Toronto Comic Jam
300 George St.
Toronto, ON M5A2N3

Also, there will be an afternoon comic jam/collage/ art thing on February 27th from 1pm – 4pm, at the Wychwood Barns. There will be zines available at the event. This is a great event for people looking for a comic jam with a daytime vibe.

January 27th, 2010 Releases featuring Canadian Creators

Batman and Robin #7 Variant Cover by Cameron Stewart

If I have missed any works by Canadian Comic Book Creators, please leave a comment, or send me an email at jason@joeshusterawards.com

Batman And Robin #7
DC US$2.99
Artwork and Variant Cover by Cameron Stewart.
Preview at DC Universe: The Source

Black Terror #7
Dynamite Entertainment US$3.50
Cover by Stephen Sadowski.
Preview at Comic Book Resources

Dark Reign: Hawkeye #5
Marvel US$3.99
Colours by Chris Chuckry.
Preview at Comic Book Resources

Detective Comics #861
DC US$3.99
Colours by Dave McCaig.

Disney/Pixar’s The Incredibles: City Of Incredibles Trade Paperback
BOOM Studios US$9.99
Artwork and Cover by Marcio Takara.

X-Men Forever #16 Cover by Tom Grummett

Disney/Pixar’s Wall-E #2
BOOM Studios US$2.99
Written by J. Torres.
Preview at Comic Book Resources

Do Androids Dream Of Electric Sheep #8
BOOM Studios US$3.99
Colours by Blond.
Preview at Comic Book Resources

Fantastic Four #575
Marvel US$2.99
Artwork by Dale Eaglesham.
Preview at Comic Book Resources

Futurama Comics #47
Bongo Comics US$2.99
Artwork by James Lloyd.

New Avengers #61 Cover by Stuart Immonen

G.I. Joe: Cobra II #1
IDW US$3.99
Colours by Lovern Kindzierski.

House Of M: Wolverine, Iron Man & Hulk Hardcover
Marvel US$39.99
Artwork and Cover by Pat Lee.

Hulk Visionaries: Peter David Vol. 7 Trade Paperback
Marvel US$29.99
Artwork and Cover by Dale Keown.

Least I Could Do Vol. 3: My Eyes Are Up Here Trade Paperback
Blind Ferret Entertainment US$11.95
Written by Ryan Sohmer. Artwork, Colours and Cover by Lar DeSouza.

Marvel Adventures Spider-Man #59
Marvel US$2.99
Inks by Terry Pallot.
Preview at Comic Book Resources

Sky Pirates of Neo Terra #5 Cover by Camilla d'Errico

The Marvelous Land Of Oz #3
Marvel US$3.99
Colours by Jean-Francois Beaulieu.
Preview at Comic Book Resources

New Avengers #61
Marvel US$3.99
Artwork and Cover by Stuart Immonen. Colours by Dave McCaig. Cover Inks by Serge Lapointe.
Preview at Comic Book Resources

Northlanders #24
DC/Vertigo US$2.99
Colours by Dave McCaig.

Official Handbook Of The Marvel Universe A To Z Vol. 12 Hardcover
Marvel US$24.99
Cover by Tom Grummett.

Robocop #1
Dynamite Entertainment US$3.50
Variant Cover by Johnny Desjardins.

Official Handbook of the Marvel Universe A to Z Vol. 12 Cover by Tom Grummett

Sky Pirates Of Neo Terra #5
Image US$2.99
Artwork and Cover by Camilla d’Errico.
Preview at Comic Book Resources

Star Wars: Legacy #44
Dark Horse US$2.99
Colours by Brad Anderson.
Preview at Dark Horse Comics

Superman #696
DC US$2.99
Artwork by Bernard Chang. Colours by Blond.
Preview at DC Universe: The Source

Superman: Secret Origin #4
DC US$3.99
Colours by Brad Anderson.
Preview at Comic Book Resources

Wonder Woman #40
DC US$2.99
Colours by Brad Anderson.
Preview at DC Universe: The Source

X-Men Forever #16
Marvel US$3.99
Cover by Tom Grummett.
Preview at Comic Book Resources

Black Terror #7 Cover by Stephen Sadowski

Comic Retailers – Elfsar Comics & Toys (Vancouver, BC)

The following is an older interview with Ethan Peacock of Elfsar Toys & Games, a finalist for the Harry Kremer Award for Retailer of the Year.

A good looking store that has done well focusing on comics, while dabbling in niche markets such as urban toys and action figures and at one time, Elfsar ran an art gallery.

If you would like to see your store profiled here, please contact us: retailers@joeshusterawards.com.

ELFSAR COMICS & TOYS

Owner’s Names: Ethan Peacock & Sareina Rubio

Manager’s Name: Ethan Peacock

Number of Employees: 7

Years in Business: 7

Physical Address: 1007 Hamilton Street, Vancouver, BC, V6B 5T4

Telephone Number: 604-688 5922

Website: http://www.elfsar.com/

Email: elfsar@shaw.ca

How did you choose your store name?

It’s actually one of the top questions I get asked here at the store. ELFSAR, first and foremost, is an incorporated (or limited) company. The name itself does not really mean anything and can really be considered a made up word. Although it’s only natural that we Humans have an insatiable need to have a meaning for everything in our lives. Please allow me to explain how we arrived at the name “ELFSAR” and where it comes from:

There are two things. First, it’s synonym for the names of all parties involved. Some of my investors wanted to remain anonymous and so therefore we created a name that allowed us to register for both a business license and domain name with ease and incorporate the initials of all the people who put up the money so to speak.

Here is a hint on 2 of them, the ‘E’ is for Ethan (me) and the ‘S’ is for my partner, both in life and business, Sareina. Second, and this is kind of silly and soooo totally “Geek”, but for me, ELFSAR actually comes from my past experience playing video games. Back in the day, I was a pretty avid video game player. I still sneak away to play games today, but not nearly as much as I used to be able to. Now I may be showing my age a tiny bit, but the old games I used to play only allowed 3 letters to be used ‘_ _ _’ to rank your high score. I, along with a few close friends, was a large fan of a game called ‘Gauntlet’ where 4 players, a barbarian, valkyrie, wizard & elf) could all play at the same time on the same screen. (Yes, although it is commonplace now, it was a big deal back then.) I always seemed to end up being the speedy Elf, not sure why, and every time I was called upon to enter my 3 digits to rank my high score, I, for better lack of an imagination, used “E L F”. For no known reason other than habit, I continued to use the name for every game I played.

On the flip side, my partner to be, Sareina, an old-school master of Ms. Pac-Man in her youth, used her initials “S A R” to rank her 3 digit high score. Fast-forward a bit to a time when video games became a little more complex and actually allowed you to use more than 3 digits. Sareina and I used to play adventure games together and it became only natural that we would combine both our 3 digits and the player name “E L F S A R” was born. In fact, it became so commonly used for a multiple joint projects that we worked together on that we really just got used to using the created word/name.

Favorite Comic Book, published in the past few months:

CHEW #1 from Image Comics

Five all-time classic comics, graphic novels or story arcs

1) Watchmen

2) Sandman

3) Spider-man: Fearful Symmetry (aka Kraven’s Last Hunt)

4) JLA VS Avengers

5) Batman The Long Halloween

What are you excited about for this coming year?

I am simply super excited to be contacted by the Shuster Awards (ed note: as a finalist for the Retailer of the Year at the 2009 awards). If we are chosen for the honor to be named with the other elite Canadian Comic Stores we will be waving the flag and advertising the Shuster Banner all over our website and store signage. It would be an honor to carry the torch. Oh …wait, you probably meant comics. Well so far Blackest Nnight has been off to a great start and I am really looking forward to Miracle Man being back in comics.

What are your plans for the next 12 months?

We are going to overhaul our back issue bins to be relocated in the middle of our store so that we can add more single issues and cut down on restock times. We also figured out a way to use them as additional gaming tables by making covers that will provide more gaming space.

What has been one of the most rewarding parts of running your business?

I am very fortunate that I am in a position to still be able to donate $300 of graphic novels to low income families every month through the City of Vancouver. Also seeing the faces of kids experiencing comics for the first time is hard to beat as well. It reminds me why I am a comic retailer.

What has been one of the biggest challenges?

Well it is a toss up between opening a new store with a customer base of zero and making it work, or creating our own POS (point of sale) system. I would have to say opening the store. Sareina and I stayed open everyday from 10am to 9pm for the first 6 months, which was a brutal experience, as we could not afford to have a potential customer walk by and not be able to come in. Elfsar almost folded in month 3 as we had maxed out credit cards and exhausted every loan, but luckily our customer orders started to come in and we just got by.

Why are you a comics retailer?

Out of sheer love for comics and utter frustration with other stores. I was simply unsatisfied with the current comic retail stores and how they treated their customers to the point that I decided to open my own. How hard could it be? I was naive as to how much work it was and I took a big financial risk that, luckily, panned out.

Product Lines Carried:

  • New Comics including Small Press/Self Published Comics/Zines
  • Back Issue Comics / Golden Age and Silver Age Comics
  • Graphic Novels / TPB’s
  • Comic Supplies
  • Magazines
  • Collectible Card Games, such as Magic
  • Role Playing Games
  • T-Shirts and Apparel
  • Prints and Posters
  • Statues and Models
  • Action Figures, New, Vintage and Imported Toys
  • Kubricks & Designer Toys
  • Anime Videos, Soundtracks, DVD/VHS Movies
  • Original Comic Art

Best selling books:

Tradepaperbacks: Watchmen, Dark Knight Returns,Walking Dead, Fables

Best selling manga:

Manga: Inu Yasha, Narruto, Drangon Ball, Lone wolf & cub, Bleach

What percentage of your business is comics compared to the peripherals of a ‘culture store’?

For 2008:

  • Comics is %33.2
  • Books Graphic Novels is %32.1
  • Toy & Models %18.4
  • Gameing %5.1
  • Book Novel %3.1
  • Magazines %2.0
  • Novelties non-comics: %1.5
  • Apparel 1.3%
  • Comic & Card Supplies %1.2
  • Novelties comics: %0.6
  • Internet sales %0.5
  • Art & Prints %0.4
  • Video Audio/DVD %0.2
  • CGC %0.2
  • Card Product %0.1
  • Food & Beverage %0.1

What are your Best selling floppy comic books?

Currently Amazing Spider-man, Blackest Night, Wednesday Comics & Buffy.

What great comic/manga should everyone under 14 be reading?

Bone would be my first choice, as I have yet to meet a child who has not liked it. I also try to encourage the parents to give it a try as well. It is not often that you find a comic that makes you genuinely laugh out loud. The facial expressions are so perfect and the best line we use to inspire interest is to describe Bone as “its Snoopy meets Lord of the Rings.”

What comic/manga would you recommend for an adult interested in returning to comics?

These questions are really hard to answer as we will recommend different things to different individuals depending on what kind/genre of story they want to read, or what kind of artwork they might be interested in, or TV/Movies they have enjoyed in the past. It is a lot easier now than it used to be as there are more graphic novels to choose from and a lot more shared talent between TV/Movies/Video games/ that are experimenting with comics. Likewise there are a lot of talented writers who are now working in TV/Movies/Video games/. I think it is a positive revolving doorway that benefits both mediums. I have found the biggest shock to adults returning to comics is the noticeable change in the colouring process and how the artwork is so much more lavish than they remember.

For those looking for good Superhero team comics (if they are an old Marvel fan) I would turn to the House of M TPB, or Ultimates Vol 1 TPB, or Astonishing X-men Vol TPB.

For solo Superheroes I would recommend Thor (by Stracynski) Vol 1, Planet Hulk, or Immortal Iron Fist Vol 1. For old DC fans, I would recommend Kingdom Come, or JLA vol 1 (by Morrison), or 52 Vol 1.

For single heroes adventures I would choose, Superman Red Son, or Green Lantern Rebirth, or Joker HC. But there are also so many others like Invincible from Image Comics or Conan from Dark Horse or The Boys from Dynamite Entertainment (if they want more a more mature read).

Now for non-superhero books (again depending on genre) for Noir/crime I would turn to Criminal Vol 1, for Sci-fi I would choose Y the Last Man Vol 1, for fantasy Fables Vol 1, for Horror I would choose Walking Dead Vol 1 and I am also a big fan of the Fell. DC has some wonderful books that give you the first issue of a bunch of different stories in their Vertigo section (First Cut, First Offenses & First Taste).

How important is the web to your business?

I think it is very important to have a good web presence with more things than just your product for sale. First off, your customers are more than likely web-savvy. They will research a product to see if they can get it locally and not have to turn to ebay. Most tourists also research an area before they visit and I know a lot of them plan there trip in advance so providing a solid website that represents you and the industry is a must. But for me, it is also about setting the example that it is the responsibility of the business to give back to the community that we are privileged to have a business within. Elfsar is certainly not the biggest store (only 2,300 square feet), nor are we the oldest, and we certainly don’t make the most money, but we are an active participant in giving back to our community. Also the web gives us a chance to let our customers know what we think of what is being offered each and every month (see Elfbytes) We also have a presence on Facebook, Flickr, Myspace, Youtube, & we have our own blog.

Does your store have an area of expertise?

Our #1 business is comics; however our graphic novel section is #2 and gaining at a steady rate. Our staff members are all active readers and are quite knowledgeable about a number of books. It also comes from having a very low turnover as some of our staff has been with us from our opening in May of 2003.

What makes your store unique?

I am sure every store in the top 20 (for Retailer of the Year consideration) have elaborate inventory and offer a discount service so I won’t say it makes us unique. When Elfsar first launched we opened it as an experiment to see if Low Brow Art and High Brow Art could co-exist. (Plus at first, we did not have enough product to fill the place.) On one side we were a comic and toy pop culture store and on the other we operated a modern art gallery. We closed the gallery after about a year and a half. Construction started on a new Shoppers Drugmart which moved in the same building right above us. This caused a lot of obstacles for us to maintain and operate the gallery but after two years we were ready to expand into the other space and expand our graphic novel section.

What makes us really unique is that we have created our own POS (point of sale) system to fit out needs. It is a combination of an axis program and excel. Sareina has some programming experience and this POS system was tailored to Diamond. The original POS system that we bought from Staples crapped out on us at the 2 year mark. It was a system that had a limit (unbeknownst to us) of only 20,000 items. We were faced with the choice to adapt or fold and Sareina managed to create a skeleton system so that we could keep track of inventory and get by. The POS has evolved ever since. Our customers love the fact that our system will warn them if they have picked up a title or issue before as we can tell them the exact date and time they purchased it. It has gotten rid of the accidental double purchase that frequents other shops. I love the fact that it tracks the sale history for each unique person it also allows us to make informed recommendations specifically tailored to each customer and their tastes.

Another thing that we do is make story sets out of our leftover single issues and sell them in a pack at a discount. Not everything is available in graphic novels yet and our customers really like not having to search for that one missing issue.

Describe the comic book scene within your community? (e.g.: amateur comics, anime/manga clubs, comic clubs, convention events)

To be honest when I first moved to Vancouver I was not impressed with the Vancouver comic community. I had some really bad experiences at other stores and the local comic cons (that were really more like flea markets). It was honestly one of the reasons why I wanted to open a store here. Elfsar actively participates in non-profit events trying to strengthen our comic community by hosting creator signings, hosting 24 hour comic book day challenge marathons, and we feature local comic talent with underground zines and self published work in the center of our store. We have done numerous events with Vancouvers largest comic Publisher Arcana Studios. Getting our customers involved in fun events has also help strengthen our community like Rockband competitions, DVD release parties, making mini movies. Of course FCBD is when we throw a mini-Comic-Con for the public. We help advertise events in our area on our website and always have flyers in our store at any given time advertising local and non-local events.

Do you participate in Free Comic Book Day?

Absolutely! We actually have a bit of a reputation for throwing a very BIG event. FCBD to me is the best day to shine as a store. We have linked our FCBD celebrations with Charity fundraisers. It’s more than just about giving away free books. We have earned a reputation for having the largest FCBD celebration in British Columbia and this year we gave away over 10,000 comics for free and raised over 3 times the amount that we did the previous year ($1,400.00 in donations and 25 full boxes of food) for the Vancouver Food Bank.

What aspect of your store are you most proud?

That sense of comic community that was lacking when I first moved to Vancouver is now alive and well at our store thanks to our repeat customers. So I guess in a way I am most proud of them. They make coming to work a joy and the great geek conversations are the highlight every day for me. I have learned so much since our opening in 2003 and hope to continue to do so as our customer base grows every year.

What have been some or your best/most fun promotions/events?

FCBD by far is the best promotion ever. For the past two years we have linked to our local theatre to make the premiere a big event and they have helps us get the word out about FCBD. Now FCBD does leave a large shadow to follow but aside from that event I would have to say our Heroclix games that we play weekly at the store have been the most enjoyable. We even created a Championship belt in honor of our Heroclix judge which has been used as a trophy to reward the excellence in gameplay. Our D&D game nights are fun as well (but this is normally done after store hours with a small group of people.) I personally like our Halloween events as we give comics as well as candy out to kids and the costumes are always great.

Have the last few years of Hollywood film releases changed your customer base?

It has definitely helped the public add more connection and familiarity with certain properties. Sometimes for the better (Watchmen, Iron Man) and sometimes for the worse (Ghost Rider, League of Extraordinary Gentlemen). It is our job to showcase what these films were based on for those interested in seeking out a more immersive experience and make suggestions about other stories to expand their reading. It is why we are a specialized medium and can offer a service that places like Chapters can’t.

Graphic Novels have been a growth product for large bookstore chains, does this affect your customer base or business?

Only when it is not a level playing field. It is certainly not fair for a large bookstore chain to be able to carry a product and then return any unsold copies when we keep what we buy. You have to really know your product or you could go out of business with a couple of really bad judgment calls.

See our other retailer interviews:

Blue Beetle Comics (Barrie, ON), Heroes Comics (London, ON), The Comic Book Collector (London, ON), Cover to Cover (Winnipeg, MB), The Dragon (Guelph, ON), 8th Street Comics & Books (Saskatoon, SK), Downtown Comics (St. John’s, NL), L.A. Mood Comics & Games (London, ON), Stadium Comics (Brampton, ON), Legends Comics & Books (Victoria, BC), Worlds Collide (Oshawa, ON), Comic Encounters (Terrace, BC), Another Dimension (Calgary, AB), The Neutral Zone Comics and Collectables (Niagara Falls, ON), Amazing Fantasy (Red Deer, Alberta), Big B Comics (Hamilton, Ontario)

Ken Lashley stepping back from comics

Jonathan Kuehlein has as short interview with artist Ken Lashley posted on his site in which Lashley talks about walking away from comics.

“I was working hard, not smart … I have to do what’s best for me.” — Ken Lashley

As to his future as a comics creator:

“I think I’ll be a specialty guy, maybe mini-series. They want me to stay at Marvel.”

In September, Lashley posted to his blog:

l am working on some new things and (Black Panther) #11 is one of them. l was asked to come back and do issue 11…from that..who knows. ….well, l do. hahahaaha. l will be at Marvel for a few more books..these are the books that you dream about doing. l will be finalizing some other things as well.

Then in November:

l am going to NY on Dec. 17th for the ‘Marvelous Color’ show in Midtown. The CCCADI gallery is hosting the two month event. l am creating some original artwork for the show…my first gallery showing to NY…my life is about to take a fun turn.

Listen to the discussion.

Best of luck in your career path of choice, Ken.

Happenings: L.A. Mood’s to host Jeff Lemire in London, Feb 13th, 2010

Meet Jeff Lemire!

Saturday, February 13, 11-3PM

at L.A. Mood Comics & Games
350 Richmond St, London, ON
519-432-3987
mailbox@lamoodcomics.com
www.lamoodcomics.blogspot.com

Critically acclaimed comic book illustrator and creator Jeff Lemire will be in London, Ontario at L.A. Mood Comics & Games, 350 Richmond Street on Saturday, February 13 From 11-3 PM

  • From 11am-Noon, Jeff will be on hand for a Q&A session with L.A Mood’s monthly Graphic Novel Group.
  • From Noon–3pm, Jeff will be signing books. Sketch opportunities are available for $15 and there will be original artwork available for sale. All those attending, will have the chance to win an original piece of artwork donated by Jeff!

Jeff Lemire grew up in a small rural town in Essex County, Ontario. He won the Xeric award for his self-published Lost Dogs in 2005. He then published his Essex County Trilogy through Top Shelf Publications, won the 2008 Joe Shuster Canadian Comic Book Award for Outstanding Cartoonist and the 2008 Doug Wright Award for Best Emerging Talent.

He is currently producing his new, ongoing title Sweet Tooth for DC/Vertigo. This action-adventure story follows Gus, a little boy born with antlers, who left to survive in an American landscape decimated a decade earlier by a mysterious pandemic. USA Today calls Sweet Tooth “Spellbinding and offbeat.” and comic book artist, Frank Quitely says, “Sweet Tooth is a dark, moving, and intriguing story, and Jeff Lemire’s gentle writing and raw, expressive art work perfectly together.”

Visit Jeff’s website at www.jefflemire.blogspot.com.

Hope to see you there!

Carol Vandenberg and Gordon Mood
L.A. Mood Comics & Games

www.lamoodcomics.blogspot.com

IDW Publishing tries to “Kill Shakespeare” in April 2010

Kill Shakespeare #1
Conor McCreery, Anthony Del Col (writers)
Andy Belanger (art) • Kagan McLeod, Andy Belanger (covers)

What Fables does for fairy tales, Kill Shakespeare does with the greatest writer of all time. This dark take on the Bard pits his greatest heroes (Hamlet, Juliet, Othello Falstaff) against his most menacing villains (Richard III, Lady Macbeth, Iago) in an epic adventure to find and kill a reclusive wizard named William Shakespeare. This debut— featuring a full 32-page story—will change the way you look at Shakespeare forever.
*2 regular covers will be shipped in a 1-to-1 ratio.
FC • 32 ad-free pages • $3.99

Jellaby going out of print

Kean Soo has just posted on his blog that Jellaby vol. 1, winner of the 2009 Joe Shuster Comics for Kids Award, is going out of print!

Kean says

It saddens me to report that the first volume of Jellaby will not remain in print. This means that it will becoming increasingly difficult to find copies of Jellaby in the more traditional retail outlets like book or comic stores.

While Jellaby vol. 2 is currently in print, having only the second half of a two part story in print is, to put it mildly, a strange decision.

So what is the future of Jellaby?

What this means for the future of Jellaby, at least in the short term: any plans for a third volume or a short story collection are on hold indefinitely until the rights issue is sorted out. I personally would love to sort things out and work on Jellaby again with the fine folk at Disney-Hyperion … I wouldn’t hesitate at all for a chance to work with them again.

Kean mentions his intention to continue to do short stories in the Flight and Explorer anthologies, which is great to hear.

This is really quite disappointing, especially considering the affection I and many others have for this project and the fact that this particular book was highlighted as the best comic book for a young readers audience (The 2009 Comics For Kids Joe Shuster Award winner).

A stand out work that is suddenly considered non-viable? That’s quite odd.

Here is a little bit of breaking news for you: Jellaby is now sold out at Diamond. To show support for this book, before it was completely sold out Jennifer Stewart of The Dragon, sponsor of the Comics for Kids award, purchased every remaining copy of the book available through Diamond. We here at the Joe Shuster Awards also have a finite number of copies at our disposal and between us, the Dragon, as well a number of Canadian retailers we are in contact with, there are still some copies available. Please contact me at robert@joeshusterawards.com if you cannot locate a copy with your local comics retailer. It is highly recommended.

January 20th, 2010 Releases featuring Canadian Creators

Cowboy Ninja Viking #3 Cover by Riley Rossmo

If I have missed any works by Canadian Comic Book Creators, please leave a comment, or send me an email at jason@joeshusterawards.com

Air #17
DC/Vertigo US$2.99
Colours by Chris Chuckry.

Avengers vs Atlas #1
Marvel US$3.99
Artwork by Takeshi Miyazawa.
Preview at Comic Book Resources

Blackest Night: The Flash #2
DC US$2.99
Variant Cover by Francis Manapul.

Captain America: Road To Reborn Trade Paperback
Marvel US$19.99
Artwork by Kalman Andrasofszky and Dale Eaglesham.

Cowboy Ninja Viking #3
Image US$3.50
Artwork and Cover by Riley Rossmo.
Preview at Comic Book Resources

Doctor Voodoo Avenger Of The Supernatural #4
Marvel US$2.99
Colours by Jean-Francois Beaulieu.
Preview at Comic Book Resources

Glamourpuss #11
Aardvark-Vanaheim US$3.00
Written and Artwork by Dave Sim.

Image United #2 (2nd Printing)
Image US$3.99
Artwork by Todd McFarlane.

Marvel Fairy Tales Trade Paperback
Marvel US$14.99
Artwork by Takeshi Miyazawa.

Mighty Avengers #33
Marvel US$2.99
Inks by Craig Yeung.
Preview at Comic Book Resources

R.E.B.E.L.S. Vol. 1: The Coming Of Starro Trade Paperback
DC US$17.99
Artwork by Claude St. Aubin.

Simpsons Comics #162
Bongo Comics US$2.99
Written by Ian Boothby.

Spider-Man 1602 #4
Marvel US$3.99
Colours by Jim Charalampidis.
Preview at Comic Book Resources

Star Wars: Dark Times #15
Dark Horse US$2.99
Artwork by Doug Wheatley. Colours by Chris Chuckry.
Preview at Dark Horse Comics

Star Wars: Knights Of The Old Republic #49
Dark Horse US$2.99
Colours by Brad Anderson
Preview at Dark Horse Comics

Star Wars: Knights Of The Old Republic Vol. 8 Destroyer Trade Paperback
Dark Horse US$17.99
Colours by Brad Anderson
Preview at Dark Horse Comics

Street Fighter IV Vol. 1 Trade Paperback
Marvel US$12.95
Written by Ken Siu-Chong. Artwork and Cover by Joe Ng. Inks by Crystal Reid.

Terminus Tales Presents Platypus vs Monkey #1
Terminus Media Inc. US$3.99
Written and Artwork by Vince Sunico.

Ultimatum: Requiem Trade Paperback
Marvel US$15.99
Artwork and Cover by Stuart Immonen.

William Shatner Presents Tek War Chronicles #5
Bluewater Productions US$3.99
Written by William Shatner.

Wolverine: Weapon X #9
Marvel US$3.99
Artwork by Yanick Paquette. Inks by Michel Lacombe. Colours by Nathan Fairbairn.
Preview at Comic Book Resources

What’s been happening since the start of 2010?

  • Kalman Andrasofszky shows us some supposed-to-be teaser work for Marvels new release Seige
  • Michael Angelos tells us that Jack The Lantern: War Of The Soul is to be solicited in the March Previews
  • Jean-François Bergeron (aka Djief) has a new book out, Saint-Germain, tome 2 : Le marquis de l’ombre. It has been released in Europe, so I’d expect it to be in Canada within that normal 5 to 6 week lag time
  • Scott Chantler tells us that 2010 is HIS year. I love his work! Northwest Passage is back in print, and as much as I’m interested in Three Thieves, I’ve been waiting to read Two Generals for 2 years now! We discussed this book at the June 2007 Comics & Kids: Teaching with Sequential Art panel
  • Marek Colek provided the cover and a four page comic for the 9th issue of AARGH!, Eastern Europe’s finest comics anthology magazine
  • Darwyn Cooke will be discussing his graphic novel adaptation Parker at the Smithsonian American Art Museum on Saturday January 30, 2010 starting at 4 PM.
  • Tom Fowler shows of the new cover for the TPB release of his series Mysterius the Unfathomable
  • Michel Gagne has lots of great projects coming out in 2010 (careful Scott Chantler!), including the final installment of The Saga of Rex, initially for Flight 7, which will then be released as a collected edition!
  • Tim Levins has openings on his commission list. A great opportunity
  • Troy Little is pleased as punch that Angora Napkin was included as one of Eye On Comics five “Best Original Graphic Novel(s)”. Also included are Darwyn Cooke’s Parker: The Hunter and the absolute gem that is Simon Roy’s Jan’s Atomic Heart. Darwyn was also the choice for Artist of the Year
  • Joe Ollmann has completed his graphic novel, Mid-Life, and provides a sneak preview
  • Josh Rosen has had to put his webcomic Edwitch on hold because due to the time limitations of being enrolled at the Center for Cartoon Studies. Good luck, Josh!
  • Jillian Tamaki let’s us in on her new petite livre, Indoor Voice, from D+Q. Jillian was recently awarded the Silver Medal from the Society of Illustrators.
  • Jillian Tamaki won the silver medal for this piece from the Society of Illustrators.

  • Ty Templeton was working on Dexter: The Early Cuts, prequel to the TV show
  • J. Torres’ newest book, Lola: A Ghost Story was out last week. Six years until it was published. Check out a preview at Comic Book Resources
  • Eric Vedder tells us ‘hard work will pay off’; and he has some commission openings
  • Howard Wong has a new comic, Grunt: War Stories, listed in this month’s Previews

Books by Canadians prominent on 2009 “best of” lists.

Thanks to the Beat for drawing attention to this:

Sandy Bilus counts 130 separate “Best of” lists for 2009 to come up with the Best Comics of 2009 Meta-List. Bilus uses the weighted scale devised by Chad Nevett and a system pioneered by dear departed Dick Hyacinth.

Books by Canadians or featuring the work of Canadian creators are featured prominently throughout the 97 item list, but in the top 10 there’s:

#2. Richard Stark’s Parker Vol. 1: The Hunter by Darwyn Cooke.

#3. George Sprott: 1894-1975 by Seth

#9. Scott Pilgrim Vol. 5: Scott Pilgrim vs. The Universe by Bryan Lee O’Malley

Over at Sequential Spiltink, Bryan Munn has posted his year in review, highlighting what he felt were the top stories of the year.

Broken Pencil promotes the Gene Day Award nominees

The current issue of Broken Pencil magazine, a quarterly magazine focusing on zine culture, is running profiles of last years Gene Day Award nominees.

We are taking submissions for the 2010 Gene Day award.

Each nominee were given a full page in the magazine for artwork and a bio. (click the images for a larger view)

Jesse Jacobs – winner for Blue Winter, Shapes in the Snow.

Jesse Jacobs

Jordyn F. Bochon – finalist for The Day After V-Day.

Jordyn F. Bochon

C. Eric Peters – finalist for Peter the Pan.

C. Eric Peters

Dakota McFadzean – finalist for Hypocrite. Congratulations to Dakota for the recent acceptance to the Center for Cartoon Studies.

Dakota McFadzean

Miriam Libicki – finalist for jobnik!: an american girl’s adventures in the israeli army. Congratulations to Miriam, who is teaching Graphic Memoirs at Emily Carr University.

Miriam Libicki

Broken Pencil contains quite a bit of comic content. This particular issue has comic strips by Jason Turner, Matthew Daley, Ad Earle, Athena Currier, and Marina Kharkover; an excerpt of The Hipless Boy by Sully (Conundrum Press); reviews of Quarter-Life Crisis by Evan Munday (self published); Scott Pilgrim 5 by Bryan Lee O’Malley (Oni Press), and The Undertaking by Michael J. Hind (Conundrum Press); and a comic/zine review section, giving reviews of self published zines, including Entropy, part 3 by Aaron Costain. Plus Broken Pencil puts on the fantastic Canzine event, which places a real focus on self published comics and zines.

A whirl around the web

We don’t usually run a links-fest post, but there was some Can-con that caught my eye today: