Back from the inaugural C2E2; Visions Round 3 news

This past weekend I was in Chicago for the first Chicago Comic and Entertainment Expo. A number of Canadian professionals attended – from David Finch (Brightest Day), Cameron Stewart (Sin Titulo), Ramon Perez (Kukuburi), Scott Hepburn (The Port), Leo Leibelman (Heavy Metal), Valentine DeLandro (X-Factor), Logan and Lisa Lubera (Hasbro), Craig Yeung (Runaways), Ryan Sohmer & Lar De Souza (Blind Ferret Productions), and Ray Fawkes (the Apocalipstix). I’m sure I’m forgetting some people.

Anyway, a nice start for what is essentially a comic book show. In this day of pop culture festivals, I liked that the focus was clearly on comics. The comic book publishers were front and centre, and the majority of exhibitors at the event were comic book dealers. A huge webcomics section, a great small press area and a HUGE artist alley filled with well laid out placements of professional guests and up and coming creators.

I highly recommend the show and look forward to attending again in 2011. People (fans and pros alike) had lots of great things to say about the upcoming Calgary Comic & Entertainment Expo (next weekend) and August’s Fan Expo Canada. Quite a few small press and webcomics creators mentioned how much they were looking forward to the Toronto Comic Arts Festival (TCAF) in May, which is the next event on my schedule to attend, followed by a short visit to Detroit for the Motor City con the weekend after that in Mid-May.

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The second round of Visions of an Icon: Wolverine pieces finished up on Sunday while I was in Chicago, so I will probably start the third round of auctions tonight or tomorrow night.

April 21st, 2010 Releases featuring Canadian Creators

DV8: Gods and Monsters #1 Cover by Fiona Staples

If I have missed any works by Canadian Comic Book Creators, please leave a comment, or send me an email at jason@joeshusterawards.com

Absolute Green Lantern: Rebirth Hardcover
DC US$75.00
Artwork by Darwyn Cooke.

The Adventures Of Digger And Friends Trade Paperback
IDW US$11.99
Written by Jack Briglio.

Air #20
DC US$2.99
Colours by Chris Chuckry.

Amazing Spider-Man #628 (Iron Man by Design) Variant Cover by Mike Del Mundo

Amazing Spider-Man #628
Marvel US$3.99
“Iron Man By Design” Variant Cover by Mike Del Mundo.
Preview at Newsarama

American Vampire #2
DC/Vertigo US$3.99
Colours by Dave McCaig.

Avengers vs. Atlas #4
Marvel US$3.99
Colours by Brad Anderson.

The Dark Tower: Battle Of Jericho Hill #5
Marvel US$3.99
Variant Cover by Cary Nord.

The Dark Tower: Battle of Jericho Hill #5 Variant Cover by Cary Nord

Doomwar #3
Marvel US$3.99
Colours by Jean-Francois Beaulieu
Preview at Comic Book Resources

DV8: Gods & Monsters #1
DC/Wildstorm US$2.99
Cover by Fiona Staples.

Elephantmen #25
Image US$3.50
Artwork by Pia Guerra and Marian Churchland. Colours by Marian Churchland.
Preview at Comic Book Resources

Grimjack: The Manx Cat Trade Paperback
IDW US$19.99
Colours by Lovern Kindzierski.

Street Fighter Legends: Ibuki #2 Cover B by Judy Jong

Kenk: A Graphic Portrait Trade Paperback
Pop Sandbox US$25.95
Written by Richard Poplak. Artwork by Nick Marinkovich.

Magdalena #1
Image/Top Cow US$3.99
Colours by Dave McCaig.
Preview at Comic Book Resources

The Marvelous Land Of Oz #5
Marvel US$3.99
Colours by Jean-Francois Beaulieu
Preview at Comic Book Resources

X-Men: Pixie Strikes Back #3 Cover by Stuart Immonen

Marvels Greatest Comics: New Avengers #1
Marvel US$1.00
Artwork and Cover by David Finch.

R.E.B.E.L.S. #15
DC US$2.99
Artwork by Claude St. Aubin. Cover by Kalman Andrasofszky.

Resurrection v2 #10
Oni Press US$3.99
Written and Artwork by Ray Fawkes.

Runaways Vol. 10: Rock Zombies Trade Paperback
Marvel US$9.99
Artwork by Takeshi Miyazawa.

Salem’s Daughter #4
Zenescope US$2.99
Cover Colours by Blond.

Simpsons Comics #165
Bongo Comics US$2.99
Written and Artwork by Ty Templeton.

Soulfire #4 Cover D by Marcus To

Soulfire #4
Aspen Comics MLT US$2.99
Artwork and Cover by Marcus To.
Preview at Newsarama

Street Fighter Legends: Ibuki #2
UDON Entertainment US$3.95
Written by Jim Zubkavich. Artwork, Colours and Cover by Omar Dogan. Variant Cover by Judy Jong.
Preview at UDON Entertainment

Superman: Codename Patriot Hardcover
DC US$24.99
Colours by Brad Anderson.

R.E.B.E.L.S. #15 Cover by Kalman Andrasofszky

Sword Of My Mouth Trade Paperback
IDW US$14.99
Written by Jim Munroe. Artwork and Cover by Shannon Gerard.

What If? Secret Invasion Trade Paperback
Marvel US$19.99
Artwork by Dave Ross.

X-Factor #204
Marvel US$2.99
Artwork by Valentine De Landro. Inks by Pat Davidson. Cover Colours by Nathan Fairbairn.
Preview at Comic Book Resources

X-Men Legacy #235 Variant Cover by David Finch

X-Factor Vol. 8: Overtime Trade Paperback
Marvel US$19.99
Artwork by Valentine De Landro. Inks by Pat Davidson and Craig Yeung. Cover Colours by Nathan Fairbairn.

X-Men Legacy #235
Marvel US$2.99
Variant Cover by David Finch.
Preview at Comic Book Resources

X-Men: Pixie Strikes Back #3
Marvel US$3.99
Written by Kathryn Immonen. Cover by Stuart Immonen.
Preview at Comic Book Resources

Street Fighter Legends: Ibuki #2 Cover A by Omar Dogan

Comic Retailers – Unreal City (Saskatoon, SK)

Owner’s Name: Theo Kivol

Manager’s Name: Theo Kivol

Number of Employees: 2

Years in Business: 1

Physical Address: 139 2nd Ave North, Saskatoon, SK

Telephone Number: 306-649-0370

Website: www.unrealcity.ca

Email: theo@unrealcity.ca

How did you choose your store name?

Unreal City is taken from the T.S. Elliot poem The Waste Land. We thought it was a good name for a comic store.

How many sq ft is your store?

1000.

Favorite Comic Book, published in the past few months?

Beasts of Burden from Dark Horse

Five all-time classic comics, graphic novels or story arcs:

100 Bullets, Watchmen, Blankets, The Walking Dead, Powers

What are you excited about for this coming year?

First Wave from DC, Mark Millar’s Nemesis

What are your plans for the next 12 months?

Reorganize graphic novel section and increase shelf space. Plan more special events and art shows with comic artists.

What has been one of the most rewarding parts of running your business?

Meeting new customers and having them return for volume 2 of a graphic novel series that you’ve recommended.

What has been one of the biggest challenges?

Finding distributors for designer toys.

Why are you a comics retailer?

Because comics and graphic novels are awesome.

Product Lines Carried:

Comics, graphic novels, toys, designer toys, manga, DVD’s, t-shirts.

Best selling floppy/monthly books:

Batman & Robin, Blackest Night, Irredeemable, Dark Avengers,

Best selling manga:

Naoki Urasawa’s 20th Century Boys

What percentage of your business is comics compared to the peripherals of a ‘culture store’?

Comics are about 20 % of my business.

What are your Best selling graphic novel books?

The Walking Dead, Fables, Sandman, DMZ, Y the Last Man, Criminal

What books do you find yourself recommending the most?

Anything from Vertigo

What great comic/manga should everyone under 14 be reading?

Bone

What comic/manga would you recommend for an adult interested in returning to comics?

Superhero – Incognito.
Non-super-hero – 100 Bullets

How important is the web to your business?

Fairly important and soon to become more important. My website is about to undergo reconstruction. We’re turning it into a blog style site so that I can update the site more frequently myself. I know people use my current site to find out what my hours are and where I am located. I hope to increase sales through my new website by creating an online community.

Does your store have an area of expertise? What makes your store unique?

I read a lot of different kinds of comics so I am able to recommend a wide variety comic books and graphic novels – everything from superheroes to alternative and underground comics. Unreal City is unique because it is a comic boutique. Our space is clean and open and most comic stores are cluttered and untidy. We sell and display framed comic art like a gallery.

Describe the comic book scene within your community? (e.g.: amateur comics, anime/manga clubs, comic clubs, convention events)

Saskatoon does not have much of a comic scene. There are a few published creators in town but there are no amateur comics. There was Vehicle, a comic anthology magazine that Unreal City hosted two launches for last year. There were 2 issues but the third one seems to be stuck in limbo. We hope that our new website will help foster a new comic book scene in Saskatoon.

Do you participate in Free Comic Book Day?

Yes.

What aspect of your store are you most proud?

The original framed comic art.

Do you have special event nights/days at the store? What have been some or your best/most fun promotions/events?

Yes, we’ve hosted 3 magazine launches and 2 art launches for comic artists.

Have the last few years of Hollywood film releases changed your customer base?

I’ve only been in business for a year but I’ve definitely seen sales generated as a result of movies like Watchmen.

Graphic Novels have been a growth product for large bookstore chains, does this affect your customer base or business?

I have only been in business for a year so I’m not sure.

With the increasing popularity of GN’s/TPB’s do you find yourself stocking these more or less than you expected. There are a lot of upfront cost in a large TPB inventory, are you focusing on a publisher or specific series? Do you intend to carry a wider range of publisher in the future or would these books be special orders only?

I carry about as many graphic novels as I expected. I carry a wide range of titles from all kinds of publishers. There are certain titles that sell all the time which I will always carry but it seems with certain titles there is a smaller window of demand. Some titles I will bring in when they’re first published but eventually they would become items that I would special order.

Are you located near any schools?

No, I am located downtown.

Is there a college nearby?

Yes, the University of Saskatchewan.

What percentage of your business would be students?

I would guess that about 35% of my customers are students.

Did the presence or lack of presence influence your decision to open at your current location?

No. We opened downtown because both the other 2 comic stores in Saskatoon are across the river on the other side of town.

Do you consider your store woman and kid friendly?

Yes, our store is women and kid friendly.

What percentage of your business is female/child?

Approximately 35%

Do you have plans to grow these groups?

Yes. I may do a volume discount on comics for kid’s birthday parties.

Do you have a kids comics section?

Yes.

Do you stock comics that are considered kids friendly/age appropriate reading?

Yes.

Do you consider your store a collector store, where you can find high grade books, or long runs of older back issues?

No, our store is geared towards readers instead of collectors.

Do you find that back issues are a focus for your customers?

No.

What form of advertising do you use?

Community radio, small press, postering for events.

Quick questions:
Pull lists: good or bad? Good.
Do you have free pull list? Yes.
Minimum number of titles? No
Do you offer a discount on everything for a pull list customer? No
Do you have them pay a yearly membership fee to get a discount? No. Community radio members get a 10% discount
Do you use a computerized point of sale and inventory system? Yes.
Do you track sales of items to adjust orders up or down? Yes
Do you have a system to ensure a restocking of a sold book? Yes.

The (unwelcome) return of Pat Lee to comics

“It is frankly shocking that he has returned to comics.”

- Chris Butcher, Manager- The Beguiling & TCAF Director

In a move that is surprising to many, and aggravating to even more – former Dreamwave and Dream Engine studio chief,  artist Pat Lee will be returning to comics with a series entitled Widow Warriors, published by American company Dynamite Entertainment.

Here’s the Dynamite Entertainment press release:

Pat Lee, the creator who revitalized The Transformers, makes his return to comic books with Widow Warriors! Written by Lloyd Chao and drawn by Pat Lee, Widow Warriors is a full color series that will be released by Dynamite Entertainment! Based on the popular Chinese legend Women Warriors of the Yang Family, Widow Warriors takes place during the reign of Emperor Song Ren Zhong (AD 1022-1064), a powerful barbarian tribe invaded the western territories of the Chinese Empire. A brave clan of generals, the Yang, and their men fought bravely, but were massacred by the invaders. Unable to convince the Emperor to send reinforcements, the widows of the family, also trained warriors, took it upon themselves, journeying west on a perilous mission to avenge the deaths of their loved ones and save a nation.

“I was pretty thrilled to be able to collaborate with a Chinese and international team on Widow Warriors, my first comic series after several years,” says Pat Lee. ”The original story is so rich with historical characters that it was a real challenge to filter it down into an American comic format. I wanted to blend my comic style with the richness we find in historic Asian art and culture, and we are pretty happy with the end result. We are going to turn Widow Warriors into a film next, and I think a lot of the panels already have a cinematic feel to them.”

“Pat has grown as an artist, and we’re proud to be working with him on this project. Looking at the art, you can see the depth he’s added since the beginning of his career. We’re proud to be working with Pat on this project, and hope that this is the first of many projects together.” states Dynamite President Nick Barrucci.

Heidi McDonald and Rich Johnston have posted articles on the subject and the quote from above is from The Beguiling’s Christopher Butcher’s reply to the story on the Beat:

Continuing the biography:

“Then, a combination of shady ethics and poor company management turned the company into a massive sinkhole. Sensing the end was near, Lee transferred as many assets of the company as he could to his parents. He lied to the artists working for him that they would eventually be paid, then declared the company bankrupt. He never paid anyone and this led to severe financial hardship for many of them.”

“To this day Lee has never expressed even an iota of remorse about his awful behaviour or financially damaging a number of people whom he called ‘friends’.”

“Lee’s most recent work in comics was taking credit for the illustrations of another artist on the Image relaunch of Cyberforce. When the artist came forward and exposed that Lee was penciling a little under 5% of the pages he was receiving credit for, the Lee had no comment and went into hiding for 2 or 3 years.”

“It is frankly shocking that he has returned to comics.”

The Abominable Charles Christopher goes to print!


Karl Kerschl has some exciting news today:

I’m proud to officially announce Book One of The Abominable Charles Christopher, collecting Chapter One of the Eisner-nominated webcomic.

Wrapped in an embossed, faux suede hardcover, this 144-page tome collects all of the comics from the first two years of the series, along with lots of additional illustrations and a 40″ gatefold at the end of the book, featuring an enormous pencil rendering of the key players, all in one scene.
Inside the front cover is a “This book belongs to” page, so you can personalize it for yourself or as a gift to loved ones. I’ve also included a space for sketches, so if you meet me at a show, I can further personalize your book with a one-of-a-kind, original drawing.

I can’t tell you how long I’ve been waiting to announce this. It’s the treatment of the book I want for myself, and it’s been a tremendous amount of work to put together. The files are going to the printer today, so it looks like I’ll be officially launching at TCAF on May 8-10! If you’re going to be in Toronto that weekend, be sure to come by and see me for your own signed copy! And tell your friends! I’m self-publishing this thing, and I can use all the help I can get. :)

Buy it HERE!

NOTE: This is a Pre-Order, ending on May 12th! Shipping will begin on May 17th.




Comic Retailers – The 4th Wall (Pointe-Claire, PQ)

Editor’s note: The Joe Shuster Awards are a supporter of brick and mortar retail comic outlets, creating the Harry Kremer Award to recognize the efforts of excellent comic retailers across the country. Our goal is to help customers find a local comic retailing business to support.


Owner’s Names: Ryan Sohmer, Randy Waxman, Jeff Moss

Manager’s Name: Jeff Moss

Number of Employees: 1

Years in Business: 1

Physical Address: 940 St Jeans Blvd, Unit 18, Pointe-Claire PQ, H9R 5N8

Telephone Number: 514-505-1015

How did you choose your store name?

“Breaking the 4th wall” is a term used in stage plays, movies and comic books and it refers to when a character turns and speaks directly to the audience. For example, Deadpool uses this technique all the time. So we decided that we wanted to “break the 4th wall” so to speak, and tear down the barriers between the comics and new readers who might have been interested but intimidated by the traditional comic store set up. We want to cater to the reader, while satisfying the collector. We want to make comics a accessible as possible to as many people as possible, and in doing so “break the walls” of the comics world.

How many sq ft is your store?

1000Sqft

Favorite Comic Book, published in the past few months:

Geoff Johns’ BLACKEST NIGHT has been the best thing coming out of Mainstream comics since Issue #1 dropped last year. It’s a masterfully executed story, and the GREEN LANTERN and GREEN LANTERN CORPS tie-ins have been just as good as the “main” series. DC has timed the releases of everything perfectly so the whole story flows seamlessly into each issue and Ivan Reiss’ art has been absolutely stellar. BLACKEST NIGHT is a perfect example and execution of what a big-scale “event” book should be.

In more independent comics, CHEW as been the biggest surprise of the last few months. The story is brilliant and witty, and the art is as fresh and unique as the story itself. It’s a great book for new people to get into, and for long-time comic fans as well.

Five all-time classic comics, graphic novels or story arcs

Spider-Man: The Death of Gwen Stacy, Blankets, Strangers In Paradise, Kingdom Come

What are you excited about for this coming year?

This year we are really excited to see THE BRIGHTEST DAY and THE HEROIC AGE take over superhero comics. These are both great jumping-on points for new readers, and will hopefully be great payoffs for long-time fans. Scott Pilgrim, Kick-Ass.

What are your plans for the next 12 months?

Over the next few months we plan to roll out a few new strategies that will differ from the traditional comic store. (>) Our store events will strive to bring new people into the world of comics by featuring signings and appearances by the best in webcomics and independent comics. We also plan to have events centering around female readers (a Ladies Night or Afternoon as it were) and discussion groups focused on getting started in comics. We will also be striving to present guests that are different from the traditional writer/artist. An example is pop star LIGHTS, who is a huge comic book fan. We are talking with her management about having her come into the store, sign CDs and talk comics with customers. It’s our hope that by offering different types of guests, we will be able to bring in new readers who might not know about all the great things comics have to offer.

What has been one of the most rewarding parts of running your business?

The most rewarding part of this business has been seeing the surprise on the faces of those who had never considered comics as an “adult” form of literature when they come into our store. Most times they assume that everything we have is just for kids, but when we show them the variety of titles and stories available, they usually end up walking away with a book to try out. That’s very satisfying to us as a retailer, and as fans of comics ourselves. A secondary part of that has been getting Kids into comics. We work hard to provide a variety of all-ages titles so that we can prepare the next generation of comic reader.

What has been one of the biggest challenges?

The biggest challenge we have faced so far has been promotion. Getting our name out there, and letting people know what we’re about in a unique manner has been difficult. Once people know about us, they seem to like us, and enjoy visiting the store. Letting them know we’re here is the hardest part. Also, learning to work within the distribution system. It can be a confusing thing at first, but once we got the hang of it, we managed to get everything in the right amount of time.

Why are you a comics retailer?

Because we love comics. It’s really as simple as that. We love comics and want to share the medium that we enjoy so much with as many people as possible. We want to show that a store dedicated to service, the stories, and the customer can still work in this rapidly shrinking market of ours, and hopefully do our part to slow down and stop said shrinking.

Product Lines Carried:

  • Comics (single issues)
  • Comics (Hard and Softcover collections)
  • Comics (Graphic novels)
  • Novels
  • Comics related art and instruction books
  • Comic Strip collections
  • Comics related history/biography books
  • T-shirts
  • Limited Figurines
  • Webcomics merchandise/books
  • Supplies (bags/boards/boxes)

Best selling floppy/monthly books (and Best selling manga if you sell manga)

DC – Blackest Night

Marvel – the Ultimate Comics titles

Other – Archie and Buffy The Vampire Slayer

What percentage of your business is comics compared to the peripherals of a ‘culture store’?

Between 90%-95% of everything we stock is comics. We wanted to really focus the store on the books and stories themselves as opposed to cluttering the floor of the store with countless action figures, statues, and other “culture” peripherals that in all honesty, don’t sell well. If a customer is looking for those items we can easily order them in for them on a per-customer basis, but the vast majority of our floor space is dedicated solely to comics.

What are your Best selling graphic novel books?

The Walking Dead Volumes 1-11

Y: The Last Man Volumes 1-10

Chew Vol.1

Civil War

What books do you find yourself recommending the most?

The Walking Dead, Preacher, Y: The Last Man, Astonishing X-Men, Ultimate Spider-Man, Ex Machina, Identity Crisis

What great comic/manga should everyone under 14 be reading?

Ultimate Spider-Man. It’s more than just a super-hero book, and is one of the most accessible and consistently good titles on the shelves today.

What comic/manga would you recommend for an adult interested in returning to comics?

Superhero: Identity Crisis. It’s a great mystery, set in the world of the Justice League that’s easy to jump into, and will leave you hungry for more!

Non-Superhero: Y: The Last Man. It’s a compelling and fresh take on the “end-of-the-world” story that’s brilliantly written, with stunning art.

(>)
Does your store have an area of expertise? What makes your store unique?

(<) The 4th Wall has arguably the biggest retail selection of webcomics in North America. We have collected and print editions of all the top webcomics, and also many smaller ones. Webcomics are the new “indie” comics, and many of the people making them have no distribution or retail outlets. We are proud that we give them a place to sell their wares, and hopefully bring about new fans to their web-based creations.

Describe the comic book scene within your community? (e.g.: amateur comics, anime/manga clubs, comic clubs, convention events)

(No answer)

Do you participate in Free Comic Book Day?

(This will be their first FCBD) We are avid supporters of Free Comic Book Day, and are really excited for this year’s event! We’re going to have some guests on hand to do signings, costumed folks, and more surprises geared to getting people reading comics!

What aspect of your store are you most proud?

The fact that it’s a bright, well-organized, friendly and welcoming place. There are a lot of traditional stores that are intimidating and unwelcoming to new customers. We have taken great strides to make our store into an Apple-Store-Meets-Comic-Store that

Do you have special event nights/days at the store? What have been some or your best/most fun promotions/events?

Events and special promotions are a key part of our business, and we are able to keep customers apprised of new sales, upcoming events and special items via our website. This allows us to have “instant” sales and offer up web exclusive sales as well. For example we recently had a special offer on our website for a discount on the graphic biography Johnny Cash: I See A Darkness to coincide with the legendary singer’s birthday. We have plans for many signings and special events in the store to come this year, but the best event we’ve had so far was a signing with webcomic creator Danielle Coresetto (Girls With Slingshots). We were able to expose many new fans to the webcomics medium, as well as give them a chance to meet one of the premiere female creators in the business.

Have the last few years of Hollywood film releases changed your customer base?

The explosion of comic book movies in the last few years has been huge for us, as it has for the comics industry in general. It brings in slews of people that have never been into a comic store before. Now that Hollywood is treating the stories and characters with more respect, the movies have been much better, and people have been falling in love with the characters all over again. It’s great to sit down with someone who really liked The Dark Knight and show them the books that influenced the movie. Conversely, it’s great to be able to use a high-profile movie like Wanted to introduce people to the graphic novel. We have many promotions and tie-ins with local theatres planned for the release of Kick-Ass and Iron Man 2 this summer.

Graphic Novels have been a growth product for large bookstore chains, does this affect your customer base or business?

Actually, it turned out to be the opposite. We are located near a large “big box” bookstore, and within 3 months of our opening, they had reduced their Graphic Novel section by half because we had taken over their business. Having comics available in these stores is great for the medium because it makes the books more readily available for the customers. However, these larger stores are generally more expensive, and don’t have the expertise that a store like ours does. We can provide a much better experience for the reader looking for comics than any larger bookstore.

With the increasing popularity of GN’s/TPB’s do you find yourself stocking these more or less than you expected. There are a lot of upfront cost in a large TPB inventory, are you focusing on a publisher or specific series? Do you intend to carry a wider range of publisher in the future or would these books be special orders only?

At The 4th Wall, 95% of our stock is TP’s and GN’s. We did this deliberately because we feel that the majority of comic readers are moving towards these collections as the preferred way of reading. In the case of a book like The Walking Dead, many of our customers refer to the TPB’s as “issues” because that’s the only way they know the book comes out. We carry books by any and every publisher that we can get our hands on. From the latest Marvel and DC books, to independent Komikeros from the Philippines, we stock the newest, best-selling and most interesting books, with an option to special order whatever the customer needs. If it’s in print, we’ll get it.

Are you located near any schools? Is there a college nearby? What percentage of your business would be students? Did the presence or lack of presence influence your decision to open at your current location?

There are several high schools and colleges nearby our location, and they have contributed heavily to our regular customer base. By advertising in school papers, and donating books as prizes to school events, we have gotten our name out to many of these students. In the future, we plan to participate in comics classes and seminars with these schools, as well as become accredited to sell to libraries and schools.

We chose our current location because it is an area that hasn’t had a comic store in a very long time, forcing fans to go into a downtown area. We are in a plaza with several recognizable restaurants and directly across from the biggest mall in the area. We are also located a stones throw from major highways and bus lines. The location we’ve chosen is highly accessible and with large, eye-catching front displays, our store is hard to miss.

Do you consider your store woman and kid friendly? What percentage of your business is female/child? Do you have plans to grow these groups? Do you have a kids comics section? Do you stock comics that are considered kids friendly/age appropriate reading?

We consider our store both women and kid friendly, and have worked hard form inception to follow through on that. The store is bright, welcoming and friendly with plenty of lighting and comfortable chairs for waiting while someone is browsing. We stock a wide variety of kid-friendly, and all-ages titles, and we try and spotlight female-friendly books and creators whenever possible. There is so much more to this medium than just tights and big muscles, and we want to make sure everyone knows that in hopes of breaking down some of the stereotypes sometimes associated with comics, comic stores, and comic readers.

Do you consider your store a collector store, where you can find high grade books, or long runs of older back issues? Do you find that back issues are a focus for your customers?

We consider our store to be a “reader” store. While we don’t carry back issues or graded books in the store, we can easily refer customers to websites and dealers that can accurately handle their needs. We get a few requests for back issues here and there, but for the most part our customer base is looking for the newest product, which we can easily provide. If there is a recent issue that we can re-order for the customer, we absolutely do that, but for the most part it’s all new releases at The 4th Wall.

What form of advertising do you use? (city newspaper, small/free papers, TV, radio, flyers, word of mouth?)

We have done extensive advertising in newspapers and magazines, as well as a large amount of web advertising through Google, Facebook, and other internet sources. We’ve done flyering campaigns at local events and some radio advertising and interviews. Word of mouth and social networking sites (Twitter, Facebook, etc) seem to yield the biggest return in terms of word-of-mouth advertising. We also have highly stylized tote bags that we give to customers to use in their grocery shopping and such that have our name and logo on them, and people seem to really respond to that.

Pull lists: good or bad? Do you have free pull list? Minimum number of titles? Do you offer a discount on everything for a pull list customer? Do you have them pay a yearly membership fee to get a discount?

Pull lists are a great thing. We think that getting the customer what they want in the more efficient way possible without incurring huge costs to the store is the key to this business. (<) There is no yearly membership required, and the response to this system has been excellent.

Do you use a computerized point of sale and inventory system? Do you track sales of items to adjust orders up or down? Do you have a system to ensure a restocking of a sold book?

We use Checkout software for Mac that allows us to track inventory, print reports on stock and performance and keep track of what titles and books we’re low on. The system works with barcode scanners and gives the customer a complete breakdown of their items in the receipt.

Colin Upton gallery event

Laurence Hyde: Southern Cross Exhibit Programming

Exhibit Talk with Colin Upton

Sunday, April 18 4:30-6pm

free event

Join Colin Upton in conversation with Sharon Kallis – Looking at Lawrence Hyde’s work, the Southern Cross.

Colin and Sharon will discuss Hyde’s narrative wood engravings and the work in the context of the contemporary graphic novel. The conversation will touch on the place and role in today’s visual culture of the “cartoon journalist,” the evolution of the genre since Hyde’s difficulties in finding a publisher in the early 1950′s, depictions of tragedy in the graphic novel format and the passion and determination that is required by those working in this format to tell the often untold or under told stories.

Discussion will be followed with refreshments in the Fireside Room.

Southern Cross:

In 1948, artist Laurence Hyde began working on Southern Cross, a wood-engraving project that took him almost four years to complete. Southern Cross is a “book without words” composed of 118 blocks

that tells the story of a fictional Micronesian family that fell victim to the American military, a story based on actual events that took place on the Bikini Islands. The Southern Cross was purchased for the City of Burnaby Permanent Collection in 1987, which is the last time it was shown in Burnaby. The only other existing Southern Cross is in the collection of the National Gallery of Canada in Ottawa.

Colin Upton

Vancouver’s own Colin Upton has been creating comics for the last 25 years. He has created comic books, editorial cartoons, comic strips, mini-comics, illustrations as well as paintings that look a lot like cartoons. He has been a co-host on radio shows about comics and, a lecturer and essayist on the subject of comics. Colin, as a wargamer and amateur historian, has had a life long interest in war, history, politics and current events and how they appear in his chosen art form. These interests have been reflected in his own comics’ work. His autobiographical work at times reflects the relationship between personal stories and larger, world shaping events such as both the Gulf Wars.

The Burnaby Art Gallery is located at 6344 Deer Lake Avenue, Burnaby

604-297-4422

Gene Day Award – deadline for submission MONDAY MAY 10, 2010

The Gene Day Award for Self-Publishing are now accepting 2009 self-published works for consideration.

Closing date for submissions: MONDAY MAY 10, 2010.

The winner of the Gene Day Award will receive a Joe Shuster Award and a bursary of $500 cash, to assist the winner in the creation and printing of their next comic.

The Gene Day Award for Self-Publishing honours Canadian comic book creators who self-published their work during the previous calendar year. In 2009 there were 96 entries from across Canada, showcasing the diverse independent spirit of comic and zine creators.

In order to qualify you must be a citizen and current resident of Canada. Anyone who writes and illustrates a comic book of their own creation (including creative teams) and publishes and sells that comic independently of any other publishing company and does not currently have said works distributed by a third party distributor may submit their publication for review.

Format and content is at the discretion of the creators.

Must include new content, not reprinted material from other sources (such as webcomics).

There are no language restrictions for this award.

You must write, “created in 2009″ on the book with your signature and some means of contacting you (email, telephone, address).

Mail two copies of your entries to:

GENE DAY AWARD
C/O THE JOE SHUSTER AWARDS
PO BOX 67031 – 2300 YONGE ST.
TORONTO, ON
M4P 3C8

All creators who entered will be listed on the Joe Shuster Awards website under our ‘Links to Canadian Creators – Self-Publishing‘ page along with the title of your entry.

UPDATE:

For GENE DAY SUBMISSIONS @ the Calgary Comic & Entertainment Expo (April 24-25) - they can be dropped off with KENNETH ILCISIN at Booth 910/911

For GENE DAY SUBMISSIONS @ the Toronto Comic Arts Festival / TCAF (May 8-9) - Joe Shuster Awards representatives will be attending the event on May 8th and 9th and collecting submissions.

Jeff Lemire goes big with THE ATOM!

DC Comics will be reviving the Atom this summer, according to editor Brian Cunningham, and I was more than a little surprised by who will be writing the series —- none other than Xeric, Wright and Shuster-Award winning Canadian cartoonist Jeff Lemire (Sweet Tooth, The Nobody, Essex County Trilogy):

I always liked the Atom.

Ray Palmer’s alter-ego captivated my imagination when I was younger. I guess from a visual perspective, his tiny figure amongst the superheroic statures of Superman and Batman just looked cool. And that this little dude stood in the company of the big guns really impressed me.

I probably sometimes envied that he could shrink down into his own tiny atomic-sized world, like I wished I could do sometimes to escape the various trials of childhood like playground bullies or schoolwork. Instead, I escaped into the stories of comic books. What’s funny is that now I get paid for it!

Come July, I’m very proud to be editing a story that provides us a new look at Ray Palmer, beginning with the one-shot BRIGHTEST DAY: THE ATOM #1. Spiraling out of our next major event, writer Jeff Lemire (SWEET TOOTH) worked with the BRIGHTEST DAY crew and myself to really take a microscope to Ray’s early life and show how certain key events led a nerdy science whiz to the unlikely life of a superhero. And the stuff that Jeff came up with really impressed me. It’s a story worthy of Ray Palmer.

Throughout this issue, we get reacquainted with old friends and meet new ones, as well as a new enemy that only the Atom could possibly do battle with. The art will be done by a fantastic newcomer to DC, Mahmud Asrar (Dynamo 5). Mahmud will visualize some really dynamic tricks Jeff has come up with to make Atom’s fighting style thoroughly unique.

From this one-shot, Atom’s story will continue as a co-feature in ADVENTURE COMICS #516, hitting stores a couple weeks later in July. And it’s there that Jeff and Mahmud really get on a roll.

In fact, this story excites me so much that I now like the Atom even more!

I think you will, too.
BC

Gary Frank draws the cover for Brightest Day: Atom, written by Jeff Lemire

Canadian Creators’ works in the UK

Futurequake #15 Cover by Gibson Quarter

Toronto artist, Gibson Quarter has informed me that there are two comics that have been published in the United Kingdom earlier this year, that features works by him, and Canadian writer, Greg Dunford.

For those that are interested, they can be ordered from the following links.

- Futurequake #15 featuring a story written by Greg Dunford, containing artwork and a cover by Gibson Quarter.

- Wasted #3 featuring artwork by Gibson Quarter

April 14th, 2010 Releases featuring Canadian Creators

Kill Shakespeare #1 Cover by Kagan McLeod

If I have missed any works by Canadian Comic Book Creators, please leave a comment, or send me an email at jason@joeshusterawards.com

Adventure Comics #10
DC US$3.99
Colours by Blond. Variant Cover by Bernard Chang.

Atomic Robo And The Revenge Of The Vampire Dimension #2
Red 5 Comics US$3.50
Colours by Ronda Pattison.
Preview at Comic Book Resources

Brightest Day #0 Cover by David Finch

Brightest Day #0
DC US$3.99
Cover by David Finch.
Preview at Comic Book Resources

Daredevil #506
Marvel US$2.99
“Iron Man By Design” Variant Cover by Mike Del Mundo.
Preview at Comic Book Resources

Daredevil #506 Iron Man by Design Variant Cover by Mike Del Mundo

Excalibur Visionaries: Warren Ellis Vol. 1 Trade Paperback
Marvel US$19.99
Artwork and Cover by Ken Lashley.

The Flash #1
DC US$3.99
Artwork and Cover by Francis Manapul.

The Flash #1 Cover by Francis Manapul

Kill Shakespeare #1
IDW US$3.99
Written by Anthony Del Col and Conor McCreery. Artwork and Cover by Andy Belanger. Colours by Ian Herring. Cover by Kagan McLeod.
Preview at Kill Shakespeare
Preview at Comic Book Resources

New Mutants #12
Marvel US$2.99
Variant Cover by David Finch.
Preview at Comic Book Resources

Nightschool: The Weirn Books Vol. 3
Yen Press US$12.99
Written, Artwork and Cover by Svetlana Chmakova.

Kill Shakespeare #1 Variant Cover by Andy Belanger

Pantheon #1
IDW US$3.99
Artwork by Stephen Molnar.

Prince of Persia: Before the Sandstorm Trade Paperback
Disney Press US$9.99
Artwork by Tom Fowler, Bernard Chang, Niko Henrichon and Cameron Stewart. Cover by Todd McFarlane.

Prince of Persia: Before the Sandstorm TPB Cover by Todd McFarlane

Rock N Roll Comics Vol. 2: Hard Rock Heroes Trade Paperback
Bluewater Productions US$17.99
Artwork by Stuart Immonen.

Runaways: True Believers Trade Paperback
Marvel US$16.99
Artwork by Adrian Alphona. Inks by Craig Yeung.

Star Trek: Leonard McCoy: Frontier Doctor #1 Cover A by John Byrne

Siege: Loki #1
Marvel US$2.99
Colours by Nathan Fairbairn.
Preview at Comic Book Resources

Spider-Man: Died In Your Arms Tonight Trade Paperback
Marvel US$19.99
Colours by Chris Chuckry.

Star Trek: Leonard McCoy: Frontier Doctor #1
IDW US$3.99
Written, Artwork and Covers by John Byrne. Colours by Lovern Kindzierski.

New Mutants #12 Variant Cover by David Finch

Star Wars: Dark Times #16
Dark Horse US$2.99
Artwork and Cover by Doug Wheatley.
Preview at Dark Horse Comics

Transformers: Tales Of The Fallen Trade Paperback
IDW US$19.99
Artwork by Alex Milne.

X-Men Forever #21 Cover by Tom Grummett

X-Factor Forever #2
Marvel US$3.99
Colours by Jim Charalampidis.
Preview at Comic Book Resources

X-Men Forever #21
Marvel US$3.99
Cover by Tom Grummett.
Preview at Comic Book Resources

Star Trek: Leonard McCoy: Frontier Doctor #1 Cover B by John Byrne

BÉDÉIS CAUSA 2010 WINNERS – JEAN-SÉBASTIEN BÉRUBÉ, PAUL À QUÉBEC & SAINT-GERMAIN T. 1 + BLAST

Presented yesterday at a ceremony in Quebec City as part of the 23rd Festival de la bande dessinée francophone de Québec (FBDFQ) the BÉDÉIS CAUSA consist of four awards – the nominees are listed below – with the winners in BOLD. Congratulations to all!

Prix Réal-Fillion
Auteur québécois, scénariste ou dessinateur, s’étant le plus illustré avec son premier album professionnel (Quebec author – either a writer or artist, who has produced their first professional graphic novel – i.e. best newcomer)
• JEAN-SÉBASTIEN BÉRUBÉ, avec Radisson t. 1 – Fils d’iroquois (Glénat Québec)
• PASCAL COLPRON, avec Mon petit nombril (La Pastèque)
• SÉBASTIEN RIVEST, avec Malaise (Mécanique générale/Les 400 coups)

Grand prix de la Ville de Québec

Meilleur album de langue française publié au Québec (Best French language graphic novel published in Quebec)
• PAUL À QUÉBEC, de Michel Rabagliati (La Pastèque)
• TUEZ VELASQUEZ, de Philippe Girard (Glénat Québec)
• JIMMY ET LE BIGFOOT, de Pascal Girard (La Pastèque)

Prix Albéric-Bourgeois
Meilleur album de langue française publié à l’étranger par un auteur Québécois, dessinateur ou scénariste. (Best French language graphic novel published outside of Quebec by a Quebec author – either a writer or artist)

• SAINT-GERMAIN T. 1 – LE COMTE DES LUMIÈRES, de Jean-François Bergeron et Thierry Gloris (Glénat)
• LES NOMBRILS T. 4 – DUEL DE BELLES, de Delaf et Dubuc (Dupuis)
• MAGASIN GÉNÉRAL, T. 5 – MONTRÉAL, de Régis Loisel et Jean-Louis Tripp (Casterman)

Prix Maurice-Petitdidier
Coup de coeur du jury pour album francophone publié à l’étranger (Jury’s choice for a French Language Graphic Novel published outside of Quebec)
• DIEU EN PERSONNE, de Marc-Antoine Mathieu (Delcourt)
• BLAST, de Manu Larcenet (Dargaud)
• PINOCCHIO, de Winschluss (Les requins marteaux)

http://www.cyberpresse.ca/le-soleil/arts-et-spectacles/livres/201004/10/01-4269123-rabagliati-couronne-aux-bedeis-causa.php

http://www.cyberpresse.ca/le-soleil/arts-et-spectacles/livres/201004/10/01-4269123-rabagliati-couronne-aux-bedeis-causa.php

Eisner Award Nominations Announced: Cooke, Lemire lead (somewhat) healthy Canadian representation!

Canadian creators are once again very well represented in this year’s nominations.

Leading the pack is Darwyn Cooke for Richard Stark’s Parker – The Hunter with three nominations: Adaptation from Another Work, Graphic Album – New, and Writer/Artist!

Following is Jeff Lemire with two nominations – one for Best New Series (Sweet Tooth) and the other for Best Graphic Album – Reprint (Essex County Trilogy).

Canadian webcomics creators and studio-buddies at Transmission-X Karl Kerschl and Cameron Stewart get a nod each in the Best Digital Comic Category for the Abominable Charles Christopher and Sin Titulo respectively.

Congratulations to Troy Little for Angora Napkin‘s nomination in the Best Publication for Teens category, to Bryan Lee O’Malley for Scott Pilgrim Vol. 5‘s nomination in the Best Humor Publication race, and to Fiona Staples in the best Penciller/Inker or P/I Team category for her series North 40!

Hall of Fame inductee Hal Foster‘s work has been nominated in the Best Archival project category for the absolutely stunning Prince Valiant by Hal Foster Vol.1 1937-1938.

On top of that, the many Canadian creators that participated in Flight Vol. 6 and Popgun Vol.3 can take pride in the fact that their work has been nominated in the Best Anthology category.

Also, American citizen living in Canada Steve McNiven was also nominated for his work on Wolverine (the Old Man Logan storyline) in the Best Limited Series or Story Arc and as part of the Penciller/Inker or P/I Team with Dexter Vines.

Finally, Montreal-based Canadian publisher Drawn and Quarterly received four nominations for collections of comics material by international cartoonists, three are specifically for Yoshihiro Tatsumi’s A Drifting Life – Best Reality-Based, Best US Edition of International Material – Asia, Lettering (the latter nomination to American cartoonist Adrian Tomine). In a surprise to many, Canadian Cartoonist Seth was not nominated for George Sprott, a title which has received universal acclaim and multiple award nominations.

Congratulations to all!

Will Eisner Comic Industry Awards Nominees 2010

Best Short Story
“Because I Love You So Much,” by Nikoline Werdelin, in From Wonderland with Love: Danish Comics in the 3rd Millennium (Fantagraphics/Aben malen)
“Gentleman John,” by Nathan Greno, in What Is Torch Tiger? (Torch Tiger)
“How and Why to Bale Hay,” by Nick Bertozzi, in Syncopated (Villard)
“Hurricane,” interpreted by Gradimir Smudja, in Bob Dylan Revisited (Norton)
“Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The Eternal Smile (First Second)

Best Single Issue (or One-Shot)
Brave & the Bold #28: “Blackhawk and the Flash: Firing Line,” by J. Michael Straczynski and Jesus Saiz (DC)
Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker and Gene Colan (Marvel)
Ganges #3, by Kevin Huizenga (Fantagraphics)
The Unwritten #5: “How the Whale Became,” by Mike Carey and Peter Gross (Vertigo/DC)
Usagi Yojimbo #123: “The Death of Lord Hikiji” by Stan Sakai (Dark Horse)

Best Continuing Series
Fables, by Bill Willingham, Mark Buckingham, Steve Leialoha, Andrew Pepoy et al. (Vertigo/DC)
Irredeemable, by Mark Waid and Peter Krause (BOOM!)
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)
The Walking Dead, by Robert Kirkman and Charles Adlard (Image)

Best Limited Series or Story Arc
Blackest Night, by Geoff Johns, Ivan Reis, and Oclair Albert (DC)
Incognito, by Ed Brubaker and Sean Phillips (Marvel Icon)
Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ Media)
Wolverine #66–72 and Wolverine Giant-Size Special: “Old Man Logan,” by Mark Millar, Steve McNiven, and Dexter Vines (Marvel)
The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young (Marvel)

Best New Series
Chew, by John Layman and Rob Guillory (Image)
Do Androids Dream of Electric Sheep? by Phillip K. Dick, art by Tony Parker (BOOM!)
Ireedeemable, by Mark Waid and Peter Krause (BOOM!)
Sweet Tooth, by Jeff Lemire (Vertigo/DC)
The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)

Best Publication for Kids
Lunch Lady and the Cyborg Substitute, by Jarrett J. Krosoczeka (Knopf)
The Secret Science Alliance and the Copycat Crook, by Eleanor Davis (Bloomsbury)
Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and Fabrice Parme (First Second)
The TOON Treasury of Classic Children’s Comics, edited by Art Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)
The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and Skottie Young (Marvel)

Best Publication for Teens
Angora Napkin, by Troy Little (IDW)
Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)
A Family Secret, by Eric Heuvel (Farrar Straus Giroux/Anne Frank House)
Far Arden, by Kevin Cannon (Top Shelf)
I Kill Giants tpb, by Joe Kelly and JM Ken Niimura (Image)

Best Humor Publication
Drinky Crow’s Maakies Treasury, by Tony Millionaire (Fantagraphics)
Everybody Is Stupid Except for Me, And Other Astute Observations, by Peter Bagge (Fantagraphics)
Little Lulu, vols. 19–21, by John Stanley and Irving Tripp (Dark Horse Books)
The Muppet Show Comic Book: Meet the Muppets, by Roger Langridge (BOOM Kids!)
Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee O’Malley (Oni)

Best Anthology
Abstract Comics, edited by Andrei Molotiu (Fantagraphics)
Bob Dylan Revisited, edited by Bob Weill (Norton)
Flight 6, edited by Kazu Kibuishi (Villard)
Popgun vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe Keatinge (Image)
Syncopated: An Anthology of Nonfiction Picto-Essays, edited by Brendan Burford (Villard)
What Is Torch Tiger? edited by Paul Briggs (Torch Tiger)

Best Digital Comic
Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
Bayou, by Jeremy Love, http://zudacomics.com/bayou
The Guns of Shadow Valley, by David Wachter and James Andrew Clark, www.gunsofshadowvalley.com
Power Out, by Nathan Schreiber, www.act-i-vate.com/67.comic
Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/

Best Reality-Based Work
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
Footnotes in Gaza, by Joe Sacco (Metropolitan/Holt)
The Imposter’s Daughter, by Laurie Sandell (Little, Brown)
Monsters, by Ken Dahl (Secret Acres)
The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric Lemerier (First Second)
Stitches, by David Small (Norton)

Best Adaptation from Another Work
The Book of Genesis Illustrated, by R. Crumb (Norton)
Charles Darwin’s On the Origin of Species: A Graphic Adaptation, adapted by Michael Keller and Nicolle Rager Fuller (Rodale)
Fahrenheit 451, by Ray Bradbury, adapted by Tim Hamilton (Hill & Wang)
Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi (Fantagraphics)

Best Graphic Album—New
Asterios Polyp, by David Mazzuccheilli (Pantheon)
A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent Mon)
The Book of Genesis Illustrated, by R. Crumb (Norton)
My mommy is in America and she met Buffalo Bill, by Jean Regnaud and Émile Bravo (Fanfare/Ponent Mon)
The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric Lemerier (First Second)
Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)

Best Graphic Album—Reprint
Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite (DC)
A.D.: New Orleans After the Deluge, by Josh Neufeld (Pantheon)
Alec: The Years Have Pants, by Eddie Campbell (Top Shelf)
Essex County Collected, by Jeff Lemire (Top Shelf)
Map of My Heart: The Best of King-Cat Comics & Stories, 1996–2002, by John Porcellino (Drawn & Quarterly)

Best Archival Collection/Project—Strips
Bloom County: The Complete Library, vol. 1, by Berkeley Breathed, edited by Scott Dunbier (IDW)
Bringing Up Father, vol. 1: From Sea to Shining Sea, by George McManus and Zeke Zekley, edited by Dean Mullaney (IDW)
The Brinkley Girls: The Best of Nell Brinkley’s Cartoons 1913–1940, edited by Trina Robbins (Fantagraphics)
Gahan Wilson: 50 Years of Playboy Cartoons, by Gahan Wilson, edited by Gary Groth (Fantagraphics)
Prince Valiant, vol. 1: 1937–1938, by Hal Foster, edited by Kim Thompson (Fantagraphics)
Queer Visitors from the Marvelous Land of Oz, by L. Frank Baum, Walt McDougall, and W. W. Denslow (Sunday Press)

Best Archival Collection/Project—Comic Books
The Best of Simon & Kirby, by Joe Simon and Jack Kirby, edited by Steve Saffel (Titan Books)
Blazing Combat, by Archie Goodwin et al., edited by Gary Groth (Fantagraphics)
Humbug, by Harvey Kurtzman et al., edited by Gary Groth (Fantagraphics)
The Rocketeer: The Complete Adventures deluxe edition, by Dave Stevens, edited by Scott Dunbier (IDW)
The TOON Treasury of Classic Children’s Comics, edited by Art Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)

Best U.S. Edition of International Material
My mommy is in America and she met Buffalo Bill, by Jean Regnaud and Émile Bravo (Fanfare/Ponent Mon)
The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric Lemerier (First Second)
Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and Fabrice Parme (First Second)
West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi (Fantagraphics)
Years of the Elephant, by Willy Linthout (Fanfare/Ponent Mon)

Best U.S. Edition of International Material—Asia
The Color Trilogy, by Kim Dong Haw (First Second)
A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent Mon)
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
Oishinbo a la Carte, written by Tetsu Kariya and illustrated by Akira Hanasaki (VIZ Media)
Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ Media)
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer
Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel) Criminal, Incognito (Marvel Icon)
Geoff Johns, Adventure Comics, Blackest Night, The Flash: Rebirth, Superman: Secret Origin (DC)
James Robinson, Justice League: Cry for Justice (DC)
Mark Waid, Irredeemable, The Incredibles (BOOM!)
Bill Willingham, Fables (Vertigo/DC)

Best Writer/Artist
Darwyn Cooke, Richard Stark’s Parker: The Hunter (IDW)
R. Crumb, The Book of Genesis Illustrated (Norton)
David Mazzuccheilli, Asterios Polyp (Pantheon)
Terry Moore, Echo (Abstract Books)
Naoki Urasawa, Naoki Urasawa’s 20th Century Boys, Pluto: Urasawa X Tezuka (VIZ Media)

Best Writer/Artist–Nonfiction
Reinhard Kleist, Johnny Cash: I See a Darkness (Abrams ComicArts)
Willy Linthout, Years of the Elephant (Fanfare/Ponent Mon)
Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)
David Small, Stitches (Norton)
Carol Tyler, You’ll Never Know: A Good and Decent Man (Fantagraphics)

Best Penciller/Inker or Penciller/Inker Team
Michael Kaluta, Madame Xanadu #11–15: “Exodus Noir” (Vertigo/DC)
Steve McNiven/Dexter Vines, Wolverine: Old Man Logan (Marvel)
Fiona Staples, North 40 (WildStorm)
J. H. Williams III, Detective Comics (DC)
Danijel Zezelj, Luna Park (Vertigo/DC)

Best Painter/Multimedia Artist (interior art)
Émile Bravo, My mommy is in America and she met Buffalo Bill (Fanfare/Ponent Mon)
Mauro Cascioli, Justice League: Cry for Justice (DC)
Nicolle Rager Fuller, Charles Darwin on the Origin of Species: A Graphic Adaptation (Rodale Books)
Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the Dragon (HarperCollins Children’s Books)
Carol Tyler, You’ll Never Know: A Good and Decent Man (Fantagraphics)

Best Cover Artist
John Cassaday, Irredeemable (BOOM!); Lone Ranger (Dynamite)
Salvador Larocca, Invincible Iron Man (Marvel)
Sean Phillips, Criminal, Incognito (Marvel Icon); 28 Days Later (BOOM!)
Alex Ross, Astro City: The Dark Age (WildStorm/DC); Project Superpowers (Dynamite)
J. H. Williams III, Detective Comics (DC)

Best Coloring
Steve Hamaker, Bone: Crown of Thorns (Scholastic); Little Mouse Gets Ready (Toon)
Laura Martin, The Rocketeer: The Complete Adventures (IDW); Thor, The Stand: American Nightmares (Marvel)
David Mazzuccheilli, Asterios Polyp (Pantheon)
Alex Sinclair, Blackest Night, Batman and Robin (DC)
Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane, Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC); Northlanders, Luna Park (Vertigo)

Best Lettering
Brian Fies, Whatever Happened to the World of Tomorrow? (Abrams ComicArts)
David Mazzuccheilli, Asterios Polyp (Pantheon)
Tom Orzechowski, Savage Dragon (Image); X-Men Forever (Marvel)
Richard Sala, Cat Burglar Black (First Second); Delphine (Fantagraphics)
Adrian Tomine, A Drifting Life (Drawn & Quarterly)

Best Comics-Related Periodical/Journalism
Alter Ego, edited by Roy Thomas (TwoMorrows)
ComicsAlliance, www.comicsalliance.com, edited by Laura Hudson
Comics Comics, edited by Timothy Hodler and Dan Nadel (www.comicscomicsmag.com) (PictureBox)
The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy Valenti (Fantagraphics)
The Comics Reporter, produced by Tom Spurgeon (www.comicsreporter.com)

Best Comics-Related Book
Alan Moore: Comics as Performance, Fiction as Scalpel, by Annalisa Di Liddo (University Press of Mississippi)
The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis Kitchen and Paul Buhle (Abrams ComicArts)
The Art of Osamu Tezuka: God of Manga, by Helen McCarthy (Abrams ComicArts)
Manga Kamishibai: The Art of Japanese Paper Theater, by Eric P. Nash (Abrams ComicArts)
Will Eisner and PS Magazine, by Paul E. Fitzgerald (Fitzworld.US)

Best Publication Design
Absolute Justice, designed by Curtis King and Josh Beatman (DC)
The Brinkley Girls, designed by Adam Grano (Fantagraphics)
Gahan Wilson: 50 Years of Playboy Cartoons, designed by Jacob Covey (Fantagraphics)
Life and Times of Martha Washington, designed by David Nestelle (Dark Horse Books)
Queer Visitors from the Marvelous Land of Oz, designed by Philippe Ghielmetti (Sunday Press)
Whatever Happened to the World of Tomorrow? designed by Neil Egan and Brian Fies (Abrams ComicArts)

Happenings: Calgary Comic & Entertainment Expo April 24-25, 2010

It’s coming up quickly! The OTHER C2E2 – the Calgary Comic & Entertainment Expo!

I had the pleasure of attending this event last year representing the awards (alas it was not in the cards for this year) and I think it’s a fantastic event, very worth your while as a comics fan.

About the Calgary Comic & Entertainment Expo

The Calgary Comic & Entertainment Expo was born in 2006 after carefully evaluating the potential of a show dedicated to not only comics, but to the cross-media attention that exists in the entertainment industry. As has been the result, our expo has become the single largest event of its kind across all of Western Canada. We feature all elements of pop culture including sci-fi, fantasy, anime, gaming, animation, and the horror genres.

The Attendance:

In our very first year, over 3,000 individual people attended what became a beyond-our-expectations hit! Our second year more than doubled for an attendance of 6,500+! Year 3 experienced another jump, and we had 8,000+ that came out. 2009 was our most successful year, as we broke the 5 digit mark with over 10,000 people coming out over the weekend.

The Location:

The Calgary Expo has always been hosted on the Stampede Grounds, in the heart of the city of Calgary. Everyone in Calgary knows where the Stampede is, with easy accessibility to everyone. In our first year, the event was held at the Big Four Building, with over 32,000 sq. ft. of exhibit space. We expanded in our second year and moved over to the Round Up Centre’s 50,000 sq. ft. Hall D. In 2008 we also added the 12,000 sq. ft. Palomino rooms for programming. For our 2010 event, we’re planning on adding an extra hall (the newly constructed Hall E), which will give us over 112,000 sq. ft. of space!

Yearly Growth

In 2006 and 2007, our shows were restricted to one-day events as we continued to grow and as we needed to gauge the growth potential. In 2008 we went up to a 2-day event, and we haven’t looked back. With a larger cast of guests, more events than ever before, and a vision for a much larger attendance record, this was a decision we just couldn’t pass up!

We’ve had a very positive increase in attendance, guests, exhibitors, and volunteers every year. We are trying our best to build the a great experience for everyone involved, and we’re striving to continue with that trend.

For any event to be successful, you need to be constantly growing and improving. Each year we’ve added 1 major element to our event, and our 2010 will feature the horror genre AND the extra exhibit hall.

Comic Guests this year include
Greg Horn
Steve Niles
Alex Milne
Alina Pete
Ryan North
Lar DeSouza
Ryan Sohmer
Chris Claremont
Marcus To
Christina Strain
Rich Buckler
Ray Fawkes
Steve Niles
Leonard Kirk
Andy Runton
Stefano Caselli
Francesco “Matt” Mattina
Jeffrey Brown
Dale Keown
Kalman Andrasofszky
Christopher Shy
Ian Boothby
Iain McCaig
Art Baltazar
Marcio Takara
Chris Giarrusso
Jacob Chabot
Scott Morse
Clayton Crain
Camilla d’Errico
Bill Sienkiewicz
Pia Guerra
Tony Harris
Brandon Peterson
Jill Thompson
Eric Powell
Matt Wagner
Kris Straub
Brad Guigar
Dave Kellett
Stan Sakai
Bruce Timm
Len Wein

Finch at Wondercon, Kirk on New Mutants, Visions of an Icon auctions are up!

Wondercon 2010 spotlight on David Finch http://www.comicbookresources.com/?page=article&id=25614

Leonard Kirk will be talking over as artist on Marvel’s New Mutants title http://www.comicbookresources.com/?page=article&id=25587

Finally, the first 10 of the Visions of an Icon: Wolverine art auctions are up on eBay – contributions by Jeff Lemire, Terry Pallot, Noel Tuazon, Nick Postic, Raffielle Ienco, Kelly Tindall, Steve Rolston, J. Korim and Troy Little! Auctions end on Sunday and 10 more auctions will follow!

Toronto Jewish Film Festival–People of the Comic Book Sidebar Series

 

Toronto’s 18th annual Jewish Film Festival features, this year, a Sidebar Series entitled “People of the Comic Book:  The Creators of Superheroes, Graphic Novels & Toons.”  Curator, Ellie Skrow, of TJFF highlights the Jewish role in comics and sequential art in her notes here with special mention, of course, of Jewish, Toronto-born creator, Joe Shuster.

A full listing of events in this TJFF Sidebar Series can be found on the official website here. “People of the Comic Book” kicks off Sunday, April 18th at Al Green Theatre at 11am with a ticketed free talk by Paul Buhle on “Jews and Comic Art” followed by a ticketed free forum discussion featuring Buhle, Harvey Pekar, Ben Katchor and some special guests in the same theatre at 4pm.

The film showings in this series begin on Monday, April 19th and wrap up Sunday, April 25th.  Of special interest is Canadian filmmaker, Ron Mann’s documentary “Comic Book Confidential,” showing Tues, April 20th at 2pm.  For tickets and further information on all TJFF events and screenings, please see the Toronto Jewish Film Festival website.

April 7th, 2010 Releases featuring Canadian Creators

The Flash: Secret Files And Origins 2010 Cover by Francis Manapul

If I have missed any works by Canadian Comic Book Creators, please leave a comment, or send me an email at jason@joeshusterawards.com

Berserker #5
Image/Top Cow US$3.99
Colours by Dave McCaig. Cover by Dale Keown.

Cowboy Ninja Viking #5
Image US$3.50
Artwork and Cover by Riley Rossmo.

Invincible Returns #1 Variant Cover by Darwyn Cooke

The Flash: Secret Files And Origins 2010 #1
DC US$3.99
Artwork and Cover by Francis Manapul.

Image Firsts: Spawn #1
Image US$1.00
Written, Artwork and Cover by Todd McFarlane.

Proof #26 Cover by Riley Rossmo

Invincible Returns #1
Image US$3.99
Cover by David Finch. Variant Cover by Darwyn Cooke.
Preview at Newsarama

Justice Society Of America Vol. 4: Thy Kingdom Come Part Three Trade Paperback
DC US$19.99
Artwork by Dale Eaglesham.

Official Handbook Of The Marvel Universe A To Z Vol. 13 Cover by Tom Grummett

Marvel’s Greatest Comics: Wolverine #66
Marvel US$1.00
Artwork and Cover by Steve McNiven.

Marvel Zombies 4 Trade Paperback
Marvel US$16.99
Colours by Jean-Francois Beaulieu.

Red Robin #11 Cover by Marcus To

New Avengers: Luke Cage #1
Marvel US$3.99
Colours by Chris Chuckry.
Preview at Comic Book Resources

Official Handbook Of The Marvel Universe A To Z Vol. 13 Hardcover
Marvel US$24.99
Cover by Tom Grummett.

Berserker #5 Cover by Dale Keown

Proof #26
Image US$3.50
Artwork and Cover by Riley Rossmo. Written, Artwork and Colours by Kelly Tindall. Colours by Dave Casey.
Back-Up Story Preview at Kelly Tindall’s Sketchbook

Realm Of Kings: Son Of Hulk #3
Marvel US$3.99
Inks by Terry Pallot.
Preview at Comic Book Resources

Uncanny X-Men #523 Variant Cover by David Finch

Red Robin #11
DC US$2.99
Artwork and Cover by Marcus To.
Preview at DC Universe: The Source

Spawn: Endgame Vol. 2 Trade Paperback
Image US$14.99
Written and Inks by Todd McFarlane.

Sweet Tooth #8 Cover by Jeff Lemire

Street Fighter II Turbo #12
UDON Entertainment US$3.95
Written by Ken Siu-Chong.
Preview at UDON Entertainment

Superman: The Last Stand Of New Krypton #2
DC US$3.99
Colours by Blond.

Invincible Returns #1 Cover by David Finch

Superman: Secret Origin #5
DC US$3.99
Colours by Brad Anderson.

Sweet Tooth #8
DC/Vertigo US$2.99
Written, Artwork and Cover by Jeff Lemire.

Uncanny X-Men #523
Marvel US$2.99
Variant Cover by David Finch.
Preview at Comic Book Resources

Cowboy Ninja Viking #5 Cover by Riley Rossmo