On Saturday, September 20th at Back Space Toronto we announced the winners of the 2014 Joe Shuster Canadian Comic Book Creators.
Last fall, the Kickstarter for restoring and reprinting Nelvana of the Northern Lights, Adrian Dingle’s Inuit goddess and superheroine from the Golden Age of Canadian Comics, was an astounding financial and cultural success. As one commentator said to me “the Nelvana revival was a zeitgeist moment” that was not only interesting historically and culturally, but also socially, as the project was orchestrated by two young women who met while working on the documentary “Lost Heroes”, namely Associate Producer Hope L. Nicholson and researcher Rachel Richey.
Now that Nelvana is out and the backers have received their copies, the book is now available for order through American publisher IDW and will hopefully reach an even wider audience south of the border. Meanwhile copies are still available for order from http://www.nelvanacomics.com
Nelvana, though, is but one of many characters that appeared in the “Canadian Whites”, black and white comics available to Canadian youngsters in the early 1940’s when the War Exchange Conservation Act prevented Superman, Batman, Wonder Woman, Captain America and the Human Torch from Canadian newsstands. Nelvana was published by Bell Features, one of a handful of Canadian comics publishers from BC, Ontario and Quebec. Other dynamic characters made their debut in the pages of these hard-to-find disposable treasures, many of them were rugged Canadian frontiersman, fighting the good fight in the name of Queen and country.
Two of those characters are about to reemerge from the mists of time as Hope and Rachel move in separate directions, handling the revivals of different characters. Plans are afoot to restore and republish other Golden Age Canadian characters after the first two – Thunderfist and the Penguin among them, but for now, two creators who are members of the Canadian Comic Book Creator Hall of Fame will have their most memorable characters brought to light. Both of these characters (see below) will hopefully be successfully funded by Kickstarter crowdfunding campaigns set to launch later this year.
Johnny Canuck appeared on the 2005 Hall of Fame print, he’s the young fellow on the right of the upper ice platform wearing the jodhpurs and flight cap.
In late 1940, John Ezrin, the manager of Bell Features, found a brash, unimpressed, young boy skimming through the company’s comics. Ezrin challenged the youth to come up with something better and the next day, Leo Bachle walked into the offices with the first sketches of Johnny Canuck! The spitting image of his handsome young creator, Johnny debuted in Bell’s Dime Comics number one, dated February 1941. Johnny’s first adventure brought him face to face with Hitler and instantly made Dime Comics Bell’s top-seller.
Johnny made mincemeat of Hitler’s elite guards, declaring, “The Germans had better make stronger rope if they want to hold Canadians captive!” Leo became one of Bell’s key artists, drawing characters like Wild Bill, the Invisible Commando, Chip Pipher, Southpaw, Super Sub and the Brain. Leo’s success opened the door for Bell to hire a cadre of young artists, including Ross Saakel, Ted Steele and Jerry Lazare. But it was Johnny Canuck who was considered so invaluable to the war effort, the government refused to grant Leo a visa to move to the States until he’d completed a backlog of adventures!
Johnny Canuck remains Leo’s most enduring creation. In 1995, years after Leo had changed his name, given up comic books for a lifetime of touring and performing around the globe with his unique comedy act, “Quick on the Draw”, Canada Post honoured Johnny with his own postage stamp. Leo Bachle passed away in May, 2003.
Biography compiled by Rob Pincombe
BROK WINDSOR created by Jon St. Ables aka Stables – Hope L. Nicholson
Born in Ulverston, England on December 23rd 1912, Jon Stables left school at 13 to follow his father and older brother to Winnipeg and become an artist. With the outbreak of World War II, he ventured west to Victoria and contributed to the war effort as a painter and sign writer for the shipbuilding industry. It was there he met his wife Esther and the pair were married in May, 1942. Shortly after, Stables was hired by Imperial News Ltd. to work for Maple Leaf Comics, one of the first golden age publishers of Canadian Comics.
Stables fit right in with Maple Leaf’s British approach to comics and was by far its most accomplished artist, signing his work with the nom de plume, St. Ables. His facility with bigfoot-style cartooning in the prehistoric Piltdown Pete and equal ease with adventure strips like Brok Windsor and Bill Speed helped make Maple Leaf titles the slickest of all the Canadian Whites. Brok Windsor debuted in Better Comics Vol. 3 Number 3, dated April/May 1944. Already a manly outdoorsman-type, physician Brok was portaging through the Lake of the Woods region and stumbled upon an island upon which he was transformed into a 7 foot tall muscle-bound specimen of the superhuman variety. Teaming with the 12 foot tall son of the chieftain of a unique Native Canadian tribe that lives in this uncharted territory named Torgon. Brok, needing the unique serum that enables Torgon’s people to endure the physical transformations, embarks on a perilous journey to find the special waters. Brok and Torgon would go on to have many Burroughs-inspired adventures.
Stables eventually took over the art editing chores from publisher and fellow creator Vernon Miller and became the line’s top cover artist. In 1946, Maple Leaf made an effort to launch several syndicated comic strips based on their features Callaghan and Bill Speed but were unable to make significant inroads.
With two sons to support, Stables and Esther opened a studio and briefly produced a line of colouring books. In 1950, the family moved to California where Stables attempted to pitch ideas and artwork to Disney. Eventually Stables settled in Seattle, working in the art department at Boeing until retiring in 1975. Jon Stables passed away in 1999. He was 87.
Bio compiled by Robert Pincombe (with the aid of Peter Hansen), with details on Brok Windsor supplied by Ivan Kocmarek.
UPDATED – AUGUST 22, 2014
The Joe Shuster Awards will be presented on Saturday, September 20th in Toronto, Ontario at BACK SPACE TORONTO, 587A College Street (2nd Floor). Ceremony will commence at 8 pm.
June 4, 2014 – Canada has a rich tradition of supporting our national arts communities with awards that recognize the achievements of our citizens like the Genie Awards for film and television and the Juno Awards for music – the JOE SHUSTER AWARD is Canada’s national award that honours and raises the awareness of Canadians that create, self-publish and sell comics books, graphic novels and webcomics.
They are named after pioneering Canadian-born artist Joe Shuster (1914-1992), whose clear, dynamic style and inventive visual flourishes set the standard for graphic storytelling during the infancy of the North American comic book industry. It was Superman, a co-creation of Shuster and his friend Jerry Siegel, that electrified the industry over 75 years ago in 1938 and, almost overnight, transformed comic books into an enormous pop-cultural phenomenon.
Nominees were selected this spring from lists of creators of original works published and distributed during the year 2013. Qualifying creators must be Canadian citizens – living at home or abroad, or a recognized permanent resident. The award winners will be chosen by a jury vote to ensure every nominee is given adequate consideration.
And the nominees are: Continue reading
Okay, so we’re nearing the end of the extension given for the Retailer, Webcomics, Comics for Kids, and Gene Day Awards and if all goes as planned we’ll be announcing the nominations next week.
I would like to thank the many folks who have contacted me about being involved in the awards this year, I’ll be contacting you all shortly and we can begin planning for the ceremony and fundraising as soon as the nominations list goes public.
As usual, it should be stated that since these are awards with only 7 (sometimes 8) nominees per category, not everyone can be nominated for an award. Our committees have been narrowing down the lists to a smaller set of nominations (in some categories from hundreds of individual artists) and we know that inevitably some people will feel we neglected a creator, a book, or a store…
Congratulations to the winners of the Doug Wright Awards for 2014 (handed out as usual at TCAF in Mid-May) for non-mainstream, non-superhero comics:
Best Book – Paul Joins the Scouts by Michel Rabagliati (Conundrum Press)
Spotlight aka “The Nipper” – Steven Gilbert for The Journal of the Main Street Secret Lodge
Pigskin Peters (non-narrative) – “Out of Skin” by Emily Carroll
In Spring 2005 the first annual Joe Shuster Awards for Canadian Comic Book Creators was held at the Paradise Comics Toronto Comicon and a lot of great books and talent have been honoured over the decade since then.
As 2013 draws to a close, please join us as we present an overview of 9 years worth of Joe Shuster Award Winners.
Note that some winners in 2005-2008 were selected by public voting. In 2009 all categories became jury selected.
2005 – Darwyn Cooke for DC: The New Frontier (DC Comics)
2006 – Bryan Lee O’Malley for Scott Pilgrim Vol. 2 (Oni Press)
2007 – Darwyn Cooke for The Spirit (DC)
2008 – Jeff Lemire for Essex County Books 1 and 2 (Top Shelf)
2009 – Dave Sim for Glamourpuss (Aardvark-Vanaheim)
2010 – Michel Rabagliati pour Paul, tome 06: Paul à Québec (La Pastèque)
2011 – Tin Can Forest for Baba Yaga and the Wolf (Koyama Press)
2012 – Ramon Perez for Jim Henson’s Tale of Sand (Archaia)
2013 – Jeff Lemire for Sweet Tooth (DC/Vertigo) and The Underwater Welder (Top Shelf)
2005 – Kaare Andrews for Spider-Man/Doctor Octopus: Year One (Marvel)
2006 – Pia Guerra for Y the Last Man (DC/Vertigo)
2007 – Darwyn Cooke and J. Bone for Batman/The Spirit (DC)
2008 – Dale Eaglesham for Justice Society of America (DC)
2009 – David Finch for Ultimatum (Marvel)
2010 – Stuart Immonon for Ultimate Spider-Man and New Avengers (Marvel)
2011 – Francis Manapul for the Flash, Adventure Comics and Superman/Batman (DC)
2012 – Stuart Immonen for Fear Itself (Marvel)
2013 – Isabelle Arsenault pour Jane, le renard & moi (La Pastèque)
2005 – Samm Barnes for Doctor Spectrum (Marvel MAX)
2005 – Ty Templeton for The Batman Adventures (DC)
2006 – J. Torres for Teen Titans Go! and Legends of the Dark Knight (DC) and Love as a Foreign Language (Oni)
2007 – Darwyn Cooke for Superman Confidential (DC)
2008 – Cecil Castellucci for the PLAIN Janes (DC/Minx)
2009 – Mariko Tamaki for Emiko Superstar (DC/Minx) and Skim (Groundwood Books)
2010 – Maryse Dubuc pour Les nombrils, tome 04: Duels de belles (Dupuis)
2011 – Émilie Villeneuve pour La fille invisible (Glénat Québec)
2012 – Kurtis J. Wiebe for The Green Wake and The Intrepids (Image Comics)
2013 – Fanny Britt pour Jane, le renard & moi (La Pastèque)
ACHIEVEMENT 2005, 2008
2005 – Dave Sim and Gerhard for the completion of Cerebus. Begun in 1977, this 300-issue series is a milestone in comic book publishing and is the longest running creator-owned comic book series
2008 – David Watkins for using comics as a teaching tool.
2005 – Arcana Studio
2006 – Drawn & Quarterly
2007 – Drawn & Quarterly
2008 – Drawn & Quarterly
2009 – Les 400 Coups/Mécanique Générale
2010 – La Pastèque
2011 – Koyama Press
INTERNATIONAL CREATORS 2006-2008
2006 – Brian K. Vaughan
2007 – Brian K. Vaughan
2008 – Ed Brubaker
2007 – Dan Kim
2008 – Ryan Sohmer and Lar De Souza
2009 – Cameron Stewart
2010 – Karl Kerschl
2011 – Emily Carroll
2012 – Emily Carroll
2013 – Michael DeForge
Favourite Overall Creator – English Language Publications 2007-8
2007 – Dan Kim
2008 – Faith Erin Hicks
Favourite Overall Creator – French Language Publications 2007-8
2007 – Michel Rabagliati
2008 – Philippe Girard
2008 – Steve Skroce
2009 – Niko Henrichon
2010 – Darwyn Cooke
2011 – Fiona Staples
2012 – François Lapierre
2013 – Mike Del Mundo
2008 – Dave McCaig
2009 – François Lapierre
2010 – Nathan Fairbairn
2011 – Julie Rocheleau
COMICS FOR KIDS – RENAMED THE DRAGON AWARD in 2012
2009 – Kean Soo for Jellaby Vol. 1 (Hyperion)
2010 – Svetlana Chmakova for Nightschool: The Weirn Books (Yen Press)
2011 – Scott Chantler for Three Thieves Book 2 (Kids Can Press)
2012 – Paul Roux pour Ariane et Nicolas Tome 6: Les Toiles Mysterieuses (Les 400 Coups)
2013 – Jo Rioux for Cat’s Cradle Volume 1: The Golden Twine (Kids Can Press)
THE GENE DAY AWARD FOR SELF-PUBLISHING
2009 – Jesse Jacobs for Blue Winter, Shapes in the Snow
2010 – Ethan Rilly for Pope Hats #1
2011 – John Martz for Heaven All Day
2012 – Dakota McFadzean for Ghost Rabbit
2013 – Cory McCallum, Matthew Daley for The Pig Sleep: A Mr. Monitor Case
THE HARRY KREMER RETAILER AWARD
2005 – Now & Then Books (Kitchener, ON)
2006 – Strange Adventures (Halifax, NS)
2007 – Happy Harbor (Edmonton, AB)
2008 – Big B Comics (Hamilton, ON)
2009 – Legends Comics and Books (Victoria, BC)
2010 – The Beguiling (Toronto, ON)
2011 – Planete BD (Montreal, QC)
2012 – The Silver Snail (Toronto, ON)
2013 – Heroes Comics (London, ON)
The Canadian Comic Book Creator Hall of Fame
2005 Joe Shuster (1914-1992)
2005 Leo Bachle (aka Les Barker) (1926-2003)
2005 Adrian Dingle (1911-1974)
2005 Hal Foster (1892-1982)
2005 Ed Furness (1911-2005)
2005 Rand Holmes (1942-2002)
2006 Jon St. Ables (1912-1999)
2006 Owen McCarron (1929-2005)
2006 Win Mortimer (1919-1998)
2006 Dave Sim (1956-)
2007 Albert Chartier (1912-2004)
2007 Gerald Lazare (1927-)
2007 Jacques Hurtubise aka ZYX (1950-)
2007 Gene Day (1951-1982)
2008 Ted McCall (1901-1975)
2008 Pierre Fournier (1949-)
2008 Stanley Berneche (1947-)
2008 John Byrne (1950-)
2009 George Menendez Rae (1906-1992)
2009 Real Godbout (1951-)
2009 Ken Steacy (1955-)
2009 Diana Schutz (1955-)
2010 Richard Comely (1950-)
2010 Dave Darrigo (1954-)
2010 George Freeman (1951-)
2010 Serge Gaboury (1954-)
2010 Deni Loubert (1951-)
2010 Jean-Claude St. Aubin (1951-)
2011 Chester Brown (1960-)
2011 Todd McFarlane (1961-)
2012 No Inductees Selected
2013 Murray Karn (1924-)
2013 Vernon Miller (1912-1974)
2013 Arn Saba (Katherine Collins) (1947-)
From Vancouver’s Cloudscape Comics Collective comes their latest anthology EPIC CANADIANA
Thrill to the adventures of Canada’s greatest superheroes! The patriotic Johnny Canuck! The mythic Ikniqpalagaq! The enigmatic Loon! The disturbing Ghost-Woman! The activist Jacques de Canada! The mighty Energy Trader! The dynastic Nite-Flyer and Nitro-Girl! The roguish Gin! From Nazi-ravaged Arctic to modern Montreal to post-apocalyptic Vancouver, nine diverse heroes defend the country against a multitude of foes.
Published in 2013, this book features stories from Bevan Thomas, Cody Andreasen, Kamil Ginatulin, Ksenia Kozhevnikova, Shannon LeClerc, Andrew Macklin, Sydney Parent, Alexander Thomas, Colin Upton, Jayleen Weaver, Jeri Weaver, and Morgan Wolf with a cover by Chenoa Gao and character files by such artists as Toren Atkinson, Jeff Ellis, Micah Iwaasa, Nina Matsumoto, Cameron Morris, and Jordan Stasuk.
Greetings from Hermes Press! We are a comic book and popular culture art publisher based in New Castle, Pennsylvania. We are a family business that has existed since 2001, and run our company with only 3 full-time employees, along with our unpaid office-dog Moose. Over the years HP has reprinted such titles as The Phantom, Buck Rogers, and Dark Shadows. We have also dabbled in new works such as Scratch9.
Our newest reprint project, Neil the Horse, is a reprint of the much-beloved 1980s Canadian comic book series created by Arn Saba (now Katherine Collins). Hermes Press wants to print Neil the Horse, but to do that we need your help!
We are already working on restoring the pages, but don’t have the dedicated funds to print the book. Until we do, it’ll just be sitting on our desktops! By helping us fund this project, you will be saving an iconic series. Neil the Horse will always be in comics history. But we want more for our horsey hero. How about letting him live again?
Neil and his friends Soapy and Mam’selle Poupée are an always-struggling songand-dance act. To gain success, they will go anywhere, do anything, and put up with anything — like a trip to Hell, or captivity inside a video game, or a gang of slap-happy aliens in a stunt-driving saucer. Oh, and a drunken and disorderly back-up band of cats.
Neil is a happy go-lucky (and not too bright) horse with a mania for bananas. He’s one heck of a tap-dancer and singer, and he can also get down to breakdancing. He adores his two pals, and will do anything for them.
Mam’selle Poupée is a romantic and lovelorn living doll from France, whose wooden body is jointed with hinges. With red circles on her cheeks, curly blonde hair, and large bust, Poupée appears to be a cross between Raggedy Ann and Dolly Parton. She is a serious dancer, and practices at the studio every day.
Soapy is a street-wise and cynical (with a heart of gold) orange alley cat, a cigarsmoker and a drinker, who serves as their trumpet player, manager and the brains of the operation. Neil thinks that Soapy is the smartest guy in the world . . . and he just might be right.
The book includes an introduction by Trina Robbins, and brand-new commentary by Neil’s creator, Katherine Collins. There’s also some rare art, and souvenirs of the early career of Neil.
Help us help you get this project started so that we can successfully reprint Neil the Horse!
What We Need & What You Get
So what exactly do we need this money for? All of our work in done in-house, so that’s already paid for by our boss, but we are lacking funding in one very specific area: printing. The cost to print this kind of book is pretty high if we do it correctly (and we want it done correctly!)
We want $15,000 to pay for printing the book, as well as shipping it back to the United States (we print in China). None of this money will go to anything but our printing costs, because we want, more than anything, to preserve this comic series.
If you help us, beyond the satisfaction of knowing that you put your money to a good cause, you can also get a copy of the finished book if we get funding!
We want to keep this simple and keep costs down, so the only real perks are the regular edition of the comic book reprint or the special limited edition version, with extra pages, and signed by Katherine Collins. The regular edition is priced currently at $60.00, and the limited edition at $95.00. You’ll also get your name in the Thanks page if you donate $25 or more!
Every project Hermes Press has done has been a success. This time we decided to reach out to the fans, old and new alike, and see if they’d like to be a part of the process from the beginning, instead of just at the bookstore.
By reprinting Neil the Horse you will be helping preserve a unique comic creation. Not to mention Making the World Safe for Musical Comedy, of course!
Other Ways You Can Help
If you can’t donate, please spread the word! Social media can only help us, so please share this on your Facebook, Twitter, Tumblr, or any other media you use!
The ‘SAVE NEIL THE HORSE’ INDIEGOGO Campaign runs until November 7, 2013. Please help if you want to see this book printed.
What if everyone who ever had superpowers had gone insane and become a threat to society? What if, after decades of this, one man gained abilities “far beyond those of mortal men” but kept his sanity? Recently discharged from the Army and faced with a society that fears superhumans, a government that hunts them down and growing numbers of crazed supervillains all around him, JACOB ROTH must decide to either put himself at risk by using his powers to help people or do nothing and remain safe while innocent people get hurt.
“THE F1RST HERO” is a unique new take on the superhero mythos, written by ANTHONY RUTTGAIZER and illustrated by PHILLIP SEVY with colors/letters by KT SMITH (American Splendor, Northern Guard) and covers by LEE MODER (Shinku, Wonder Woman, Stars and S.T.R.I.P.E.). The first story arc is four issues long and debuts around March 2014 from ACTION LAB COMICS (Molly Danger, Princeless, NFL Rush Zone).
Please support the campaign by making a donation on Indiegogo. There are incentives!
“A really, really good high concept. It instantly offers a reader a character who we know will face tons of nasty challenges and a character who is unique in the world – always a good start.”
– Ty Templeton: Writer, Batman Adventures
“I like the implicit sense of humour. I like the idea that [superhumans] are shunned. I like the dilemma.”
– Mark Askwith: Senior Producer, Space Television
“Anthony Ruttgaizer has created a ‘Mutant Registration Act’ that actually makes sense.”
– George Zotti: Co-Owner, Silver Snail Comic Shops
“The premise sounds very interesting. I’m inclined to think it’ll be a hit.”
– Richard Pace: Penciller, New Warriors/Starman
“I thought [the preview] was great.”
– Tony S. Daniel: Writer/Artist, Detective Comics/Action Comics
“[Sevy] is ready to go!”
– Francis Manapul: Writer/Artist, Flash
Some news announced at the 2013 Joe Shuster Awards ceremony and reiterated the following day at Fan Expo Canada — Hope Nicholson and Rachel Richey (who were both involved in Lost Heroes the Movie, which is said to be released later this year) have received permission from Corus Media and the National Archives to reprint the 31 Nelvana stories. Richey, who has worked for the National Archives in the past, has a blog on Canadian comics entitled Comic Syrup.
The character was published from 1941-1947 in the pages of Hillborough Studios and later Bell Features’ Triumph-Adventure Comics. Nelvana is one of the medium’s earliest female superhero characters.
Nelvana was created by Canadian Comic Book Creator Hall of Fame Inductee Adrian Dingle in 1941 for his company Hillborough Studios, after hearing tales of Inuit legends by well-known Canadian painter Franz Johnston. After merging his Toronto studio with publishers Gene and Cy Bell’s Bell Features, Dingle officially signed over the rights and trademark to Bell Features in a 1946 dated document.
However in 1947 Bell Features sold the rights to Nelvana and other characters to F.E. Howard Publications, and Nelvana’s last appearance in comics (still written and drawn by Adrian Dingle) was in F.E. Howard’s Super-Duper Comics #3 (May-June 1947 issue), which won’t be included in this collection.
While Bell Features/Commercial Signs of Canada closed up shop in 1953, the original artwork and the publication rights to the Bell Features Comics (incl. presumably the Hillborough Studios issues) were sold to Michael Hirsh and Patrick Loubert in 1971 by John Ezrin, Bell’s former Capital Officer. They in turn donated the collection to the National Archives under the provision that the material could not be reprinted without their permission. Their company Nelvana, was named after Dingle’s character, which was bought by Corus Entertainment in 2000, and presumably that includes the company’s assets – including the publication rights to Bell Features comics. So this could be just the first re-presentation of Bell Features comics, providing that this one is successful.
The majority of these comics have not been seen since they were originally published in the 1940’s. Some scans have been reprinted in books such as Hirsh and Loubert’s Great Canadian Comic Books. Nelvana was featured on a postage stamp.
Inspired by tales of the Inuit people told to him by Group of Seven and Ontario College of Art professor Franz (or Frank) Johnston, creator and cartoonist Adrian Dingle loosely adapted many Inuit legends into the superhero mythology of Canada’s first female superhero, predating the arrival of Wonder Woman by less than a handful of months.
When asked about potential new comics featuring Nelvana of the Northern Lights, someone on the facebook group for the character indicated that permission for any NEW comics with the character would require the permission and involvement of Adrian Dingle’s estate, that is until 2024 — our research indicates the date is specifically January 1, 2025 (as Dingle died in 1974 the copyright act indicates that the control of the artist’s work falls to his or her estate for 50 years after the death of the artist/author up until the end of the calendar year in which they passed away). At that time, presumably Nelvana becomes a public domain character. We’re not entirely sure where F.E. Howard Publications fit into this mix – they bought the rights to Nelvana with the intent to create new comics from Bell in 1947, and the 1971 agreement would indicate that Hirsch and Loubert obtained just the reprint rights to those stories published by Hillborough/Bell Features. The creation rights may have had a specific time limit, or conditions that were not met, but at the latest they likely lapsed back to the Dingle Estate in 1997 (50 years after they were licensed). The Dingle Estate has always controlled what Canadian copyright law refers to as the Moral Rights to Nelvana, and can veto depictions of the character they don’t agree with if they so choose.
Nicholson and Richey announced that the project would be crowdfunded (probably by either Kickstarter or Indiegogo) with the campaign to begin on October 1, 2013. The collection we are told will be priced at $30, in softcover trade paperback format. Black and white interiors, with a colour cover. Book design for the project is being handled by Joe Shuster Award winning cartoonist Ramon Perez (Jim Henson’s A Tale of Sand).
Perks are to be announced, but many artists such as Jeff Lemire and Steve Manale have been announced as providing something for the project, and others such as David Cutler and Adriana Blake have done art pieces of Nelvana that will presumably be perks or turned into prints or other media for perks.
For updates and interaction with the editors, please check out the facebook page.
Toronto, ON – Saturday, August 24. Earlier this evening at the Art Gallery of Ontario’s Jackman Hall, the 9th annual Joe Shuster Awards were presented at a gala ceremony hosted by the Toronto Star’s ROB SALEM and Cartoonist TY TEMPLETON.
The results are: Continue reading
The Canadian Comic Book Creator Awards Association is pleased to announce the venue of the 2013 Joe Shuster Awards Ceremony. The 8 2013 awards and 3 Hall of Fame presentations will be presented on SATURDAY, AUGUST 24, 2013 at JACKMAN HALL at the Art Gallery of Ontario, starting at 8:30 PM.
Seating: 200 – priority seating for nominees, their family and friends and other industry professionals, with limited general admission seating.
The Art Gallery of Ontario – 317 Dundas Street West, Toronto, ON
The Art Gallery of Ontario is an art museum in Toronto’s Downtown Grange Park district, on Dundas Street West between McCaul Street and Beverley Street. Its collection includes more than 80,000 works spanning the 1st century to the present day.
Jackman Hall has it’s own entrance on McCaul Street, South of Dundas Street West (pictured above)
.About The Joe Shuster Awards
Established in 2004, The Joe Shuster Awards are Canada’s first national and bilingual award recognizing outstanding achievement in the creation of comic books, graphic novels and webcomics. The awards are named after pioneering Toronto-born artist Joe Shuster who, along with writer Jerry Siegel, created the iconic super-powered hero, Superman. The name is used with the approval of the Estate of Joe Shuster – Michael Catron, Estate Agent.
2013 Sponsors include: Guerilla Printing, The Dragon, The Comic Book Lounge & Gallery, Autodesk.
For more information please contact firstname.lastname@example.org
Full list of 2013 Nominees / La liste complète des nominés 2013
Canada has a rich tradition of supporting our national arts communities with awards that recognize the achievements of our citizens like the Genie Awards for film and television and the Juno Awards for music – the JOE SHUSTER AWARD is Canada’s national award that honours and raises the awareness of Canadians that create, self-publish and sell all kinds of comics, graphic novels and webcomics.
They are named after pioneering Canadian-born artist Joe Shuster (1914-1992), whose clear, dynamic style and inventive visual flourishes set the standard for graphic storytelling during the infancy of the North American comic book industry. It was Superman, a co-creation of Shuster and his friend Jerry Siegel, that electrified the industry 75 years ago in 1938 and, almost overnight, transformed comic books into an enormous pop-cultural phenomenon.
Nominees were selected this spring from lists of creators including all eligible original works published and distributed during the year 2012. Qualifying creators must be Canadian citizens living at home or abroad, as well as permanent residents in Canada. The award winners will be chosen by a jury vote to ensure every nominee is given adequate consideration.
The awards will be presented at a gala ceremony in Toronto, open to the public, on the evening of Saturday, August 24, 2013 at 8:30 PM. This year the awards will be held in JACKMAN HALL, at the Art Gallery of Ontario, 317 Dundas Street West, Toronto.
And the nominees are:
Koyama Press is excited to announce that cartoonists MICHAEL DEFORGE, JULIE DELPORTE, VICTOR KERLOW, NATHAN BULMER, DUSTIN HARBIN, and JANE MAI will join us for the 10th edition of the Toronto Comics Arts Festival taking place May 11-12 at Toronto Reference Library, 789 Yonge Street. Koyama Press will also be joined by JULIA WERTZ for a short time as she signs copies of her critically-acclaimed book, The Infinite Wait and Other Stories.
This year’s festival will see DeForge debut Very Casual a collection of stories culled from mini comics, online comics and anthology contributions; Delporte debut Journal her collection of diary comics that catalogues an emotional breakup, an artist’s residency at CCS and the anxieties and joys of everyday life between February 2011 and October 2012; and Kerlow debut Everything Takes Forever a collection of the cartoonist and illustrator’s ink-and-wash comics that blur the quotidian with the absurd. Other recent titles from Koyama Press will also be available.
Koyama Press is pleased to announce that their titles are now being distributed internationally by Consortium Book Sales and Distribution. A noted advocate for independent, small press publishers, Consortium is home to comics publishers Nobrow Press and Uncivilized Books, as well as over 100 independent publishers from the United States, Canada, Europe, India, and Australia. They are excited to be in the good company of a diverse range of publishers and books that cover a myriad of subjects including fiction, poetry, gay and lesbian studies, politics, music, art, history, children’s books, and more. With this new partnership, Koyama Press titles will be made available to many markets and outlets for the first time.
A new year is well underway and we are getting back to business here at JSA central!
Unfortunately, I was not able to run a wrap survey for 2012 as I normally do, work on the store and various events (such as the 24 Hour Comic Challenge we ran in-store this past Saturday at the Comic Book Lounge) have been keeping me pretty busy.
Currently being assembled for a late January release will be the LIST OF ELIGIBLE CREATORS AND 2012 PUBLICATIONS list, and if you want to be proactive and make sure your comics projects are recognized you can email me at email@example.com and I’ll update the list.
Current plans are for the nomination process to begin in earnest on February 1, so if you are interested in participating in nominating the 2012 award categories, you can email me at the same address listed in this article.
A later start for the process does seem indicative of an awards ceremony for later in 2013, and that is once again the case — as we have a weekend in mind, an event and a city in which to hold the ceremony, just not an official venue yet. Current plans are for the ceremony to take place in late summer at a venue that will be announced in March when the nominations are announced.
Support and Promote Indie Skip Week #indieskipweek
On Wednesday, December 26th, Diamond Comics will be working with a a few of their Premiere Publishers to bring just a handful of comics to market. Comic Shops will be receiving only a little over a dozen titles (including Amazing Spider-Man 700) instead of the normal 60+ books.
Please note that in Canada, most stores will be closed on the 26th for Boxing Day, so look for new books on Thursday, December 27th.
Instead of encouraging customers to skip shopping in the store for an entire week – which I’m not sure they will do if new comics are coming out combined with end of the year sales and promotions — but many comic shop owners across North America will be using this as an opportunity to fill the gap and promote Self-Published Comics, Creator Owned Comics and Micro-Publisher Comics at the forefront of their comic shops. For an entire week all walk-in traffic can hopefully be introduced to a wonderful side of comics that many customers don’t get to see with the emphasis on mainstream publishers.
Hopefully customers will then discover new talents and new titles! This is a great way to support the smallest and most innovative creators working in the comics industry.
There are a lot of great comics out there that qualify from publishers such as: Top Shelf, Archaia Press, Image Comics, Koyama Press, Drawn & Quarterly, Conundrum Press, Oni Press, Retrofit Comics, Secret Acres, Oily Comics and more!
Help turn this into an opportunity to support independent creators and self-publishers.
Indie Skip Week #indieskipweek
Outstanding Comic Book Cover Artist / Dessinateur de couverture de bande dessinée exceptionnel
Outstanding Comic Book Writer / Scénariste de bande dessinée exceptionnel
Outstanding Comic Book Artist / Dessinateur de bande dessinée exceptionnel
Outstanding Comic Book Cartoonist / Auteur de bande dessinée exceptionnel
Nominating Committee / Comité des Candidatures :
Laurent Boutin (Montreal, QC)
Eric Bouchard (Montreal, QC)
Jeff Brown (Toronto, ON)
Lloyd Chesney (Victoria, BC)
Amy Chop (Guelph, ON)
Jamie Coville (Kingston, ON)
Gareth Gaudin (Victoria, BC)
Tyler Jirik (Guelph, ON)
Mike Jozik (Saskatoon, SK)
David Kelly (Montreal, QC)
Jonathan Kuehlein (Toronto, ON)
Andrew Uys (Toronto, ON
Leonard Wong (Vancouver, BC)
Sarrah Young (Toronto, ON)
– Outstanding Web Comics Creator / Créateur de bande dessinée web exceptionnel
Nominating Committee / Comité des Candidatures :
Art Jury (Artist / Cover Artist / Webcomics)
– Cliff Caporale (Montreal, QC)
– Amy Chop (Guelph, ON)
– Calum Johnston (Halifax, NS)
– Hope Nicholson (Toronto, ON)
– Ethan Peacock (Vancouver, BC)
Story Jury (Cartoonist / Writer)
– Cliff Caporale (Montreal, QC)
– Robin Fisher (Montreal, QC)
– Robin McConnell (Vancouver, BC)
– Rachel Richey (Ottawa, ON)
– Salgood Sam (Montreal, QC)
Coordiinator/Coordinateur – Kevin Boyd, Executive Director
The Gene Day Award for Self-Publishers / Le Prix Gene Day de l’auto-édition
Nominating Committee / Comité des Candidatures::
Robert Haines, with input from Kevin Boyd
– Calum Johnston
– Jesse Jacobs
– Diana Schutz
The Harry Kremer Award for Outstanding Comic Book Retailer / Le Prix Harry Kremer du libraire de bandes dessinées exceptionnel
Nominating Committee / Comité des Candidatures :
Coordinator/Coordinateur – Robert Haines, Associate Director
The Dragon Award – Comics for Kids / Le Prix Dragon – Bande dessinée jeunesse
Nominating Committee / Comité des Candidatures :
– Jennifer Stewart (BEd)
– Beth Alexander (BEd – elementary)
– Diana Pai (BEd)
Comics for Kids Jury:
– Douglas Davey (Halton Hills librarian)
– Graham Purcell (BEd – elementary)
– Renee Jackson (BEd, MFA)
– Kate McEvenue (BEd)
– Scott Robins (Toronto librarian)
Coordinator/Coordinateur – Jennifer Haines
ADDITIONAL THANKS TO:
Webcomics Coordinator – Andrew Walsh
Publisher Liason – Allison Covey
Graphics and Audio Visual Presentation – Tyrone Biljan
Awards Ceremony Hosts: Jason Rockman, Catherine Smith-Desbiens
Host Convention: Montreal Comic Con – contacts: Oscar Yazedjian, Elizabeth Jutras, Cliff Caporale
Awards manufactured by ACE Awards, Toronto, ON
Hall of Fame Committee – Joe Kilmartin, Robert Pincombe
The Canadian Comic Book Creator Awards Association would also like to thank the following publishers for their assistance in providing book for our juries to review:
Éditions Pow Pow
Kids Can Press
Les 400 Coups
Katie and Steven Shanahan.
Additional books published by Archaia Press, Éditions Delcourt, Drawn & Quarterly, DC Comics, some additional IDW and Marvel Comics were provided by:
The Comic Book Lounge + Gallery, (Toronto, ON)
Finally, the CCBCAA would like to thank and acknowledge the financial contributions of our private donours, and the support of the Canadian comics community across our great nation.
THE CCBCAA 2011-2012:
Kevin Boyd, Director
Robert Haines, Associate Director
SAN DIEGO – At-Con International (Comic-Con) last evening, the winners of the Will Eisner Comic Industry Awards 2012 were announced. The nominees were chosen by a blue-ribbon panel of judges and the winners were selected by a balloting process open to industry professionals.
Canadians were well represented in many categories but the big winners in last evening’s ceremony were Jim Henson’s Tale of Sand (Archaia) by Toronto artist Ramón K. Pérez (winning 3 of the 5 awards the book was nominated for: Best Graphic Album, Best Penciller/Inker or Penciller/Inker Team, and Best Publication Design), and Richard Stark’s Parker: The Martini Edition by Halifax’s Darwyn Cooke (winning 2 of the 3 categories in which it was nominated: Best Short Story “The Seventh”, and Best Graphic Album Reprint Material).
This has been a big year for both Perez and Cooke, and both are nominated for these respective works in the 2012 Joe Shuster Awards, which will be announced in Montreal on September 15th. Cooke’s latest Parker adaptation “The Score” was released in stores on Wednesday.
Guelph’s The Dragon shared the honours for the Will Eisner Spirit of Comics Retailer Award with Akira Comics in Madrid, Spain. This was The Dragon’s third turn as an Retailer Award Finalist and we are particularly happy for owner Jennifer Haines and staff and family as they are also sponsors of the Joe Shuster Awards. This was a well-deserved honour.
Finally, Montreal publisher Drawn + Quarterly’s translation of Shigeru Mizuki’s Onward Torwards our Noble Deaths took home the Best International Publication Edition award.
Named for acclaimed comics creator the Will Eisner, the awards are in their 24th year of highlighting the best publications and creators in comics and graphic novels. The 2012 Eisner Awards judging panel consists of reviewer Brigid Alverson (Graphic Novel Reporter, CBR, Robot 6), retailer Calum Johnston (Strange Adventures, Halifax, Nova Scotia), librarian Jesse Karp (LREI, New York), cartoonist Larry Marder (Beanworld), comics historian Benjamin Saunders (University of Oregon), and Comic-Con board of director Mary Sturhann.
Ballots were sent out in mid-April to comics creators, editors, publishers, and retailers. A downloadable pdf of the ballot was available online, and a special website was set up for online voting.
The Eisner Awards are part of Comic-Con International, a nonprofit educational organization dedicated to creating awareness of and appreciation for comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contributions of comics to art and culture. Jackie Estrada has been administrator of the Awards since 1990. She can be reached at firstname.lastname@example.org.
More information about the Eisner Awards can be found at http://www.comic-con.org/cci/cci_eisners_main.shtml.
EISNER AWARD WINNERS 2012
Best Short Story
“The Seventh,” by Darwyn Cooke, in Richard Stark’s Parker: The Martini Edition (IDW)
Best Single Issue (or One-Shot)
Daredevil #7, by Mark Waid, Paolo Rivera, and Joe Rivera (Marvel)
Best Continuing Series
Daredevil, by Mark Waid, Marcos Martin, Paolo Rivera, and Joe Rivera (Marvel)
Best Limited Series
Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips (Marvel Icon)
Best Publication for Early Readers (up to age 7)
Dragon Puncher Island, by James Kochalka (Top Shelf)
Best Publication for Kids (ages 8-12)
Snarked, by Roger Langridge (kaboom!)
Best Publication for Young Adults (Ages 12-17)
Anya’s Ghost, by Vera Brosgol (First Second)
Dark Horse Presents, edited by Mike Richardson (Dark Horse)
Best Humor Publication
Milk & Cheese: Dairy Products Gone Bad, by Evan Dorkin (Dark Horse Books)
Best Digital Comic
Battlepug, by Mike Norton, http://www.battlepug.com
Best Reality-Based Work
Green River Killer: A True Detective Story, by Jeff Jensen and Jonathan Case (Dark Horse Books)
Best Graphic Album – New
Jim Henson’s Tale of Sand, adapted by Ramón K. Pérez (Archaia)
Best Graphic Album – Reprint
Richard Stark’s Parker: The Martini Edition, by Darwyn Cooke (IDW)
Best Archival Collection/Project – Strips
Walt Disney’s Mickey Mouse vols. 1-2, by Floyd Gottfredson, edited by David Gerstein and Gary Groth (Fantagraphics)
Best Archival Collection/Project – Comic Books
Walt Simonson’s The Mighty Thor Artist’s Edition (IDW)
Best U.S. Edition of International Material
The Manara Library, vol. 1: Indian Summer and Other Stories, by Milo Manara with Hugo Pratt (Dark Horse Books)
Best U.S. Edition of International Material – Asia
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Mark Waid, Irredeemable, Incorruptible (BOOM!); Daredevil (Marvel)
Craig Thompson, Habibi (Pantheon)
Best Penciller/Inker or Penciller/Inker Team
Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Best Cover Artist
Francesco Francavilla, Black Panther (Marvel); Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars (Dynamite); Archie Meets Kiss (Archie)
Laura Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super–Ginchy Special (Image)
Stan Sakai, Usagi Yojimbo (Dark Horse)
Best Comics-Related Journalism
The Comics Reporter, produced by Tom Spurgeon, http://www.comicsreporter.com
Best Educational/Academic Work (a tie)
Cartooning: Philosophy & Practice, by Ivan Brunetti (Yale University Press)
Hand of Fire: The Comics Art of Jack Kirby, by Charles Hatfield (University Press of Mississippi)
Best Comics-Related Book
MetaMaus, by Art Spiegelman (Pantheon)
Best Publication Design
Jim Henson’s Tale of Sand, designed by Eric Skillman (Archaia)
Hall of Fame
Judges’ Choices: Rudolf Dirks, Harry Lucey
Bill Blackbeard, Richard Corben, Katsuhiro Otomo, Gilbert Shelton
Russ Manning Promising Newcomer Award:
Bob Clampett Humanitarian Award:
Bill Finger Excellence in Comic Book Writing Award:
Frank Doyle, Steve Skeates
Will Eisner Spirit of Comics Retailer Award: (tie)
Akira Comics, Madrid, Spain – Jesus Marugan Escobar and
The Dragon, Guelph, ON, Canada – Jennifer Haines
Launched a short time ago, the Cerebus High Society Kickstarter Campaign has evolved into a campaign to create full-fledged audio and visual digital editions of the Cerebus graphic novel series. At the time of writing, the campaign has nearly 700 backers and pledges of upwards of $37K, but needs to reach $200K in order to do all 300 issues. There are various financial levels of pledges, each with their own incentives (including comics, graphic novels, memorabilia, sketches and/or commissions).
Here are the messages from Dave Sim and John Scudder, who is overseeing the project and the campaign.
A MESSAGE FROM DAVE SIM:
EVERYone keeps telling me: KICKSTARTER! KICKSTARTER! KICKSTARTER! So, um, here I am as part of a event/partnership — Cerebus Digital — registered by John Scrudder in his home state of North Carolina. You GO, TARHEELS! Okay, so John tells me I just have to sign my name and personalize CEREBUS esoterica a few thousand times and mail out a few hundred packages…
(both of which I’m definitely up for since, fortunately, they don’t require computer literacy — I still use an electric typewriter, “escargot mail”, a fax machine and landline telephone to communicate with the outside world, relying on outside help for anything Internet-based (my MacBook is only for typesetting and downloading photoreference: God Bless Google Images!!!) I have written instructions here from John telling me how to input this. I hope I’m doing this right)…
So: here’s my pitch for the $6,000 that I’m trying to raise:
STEP ONE: CEREBUS DIGITAL HIGH SOCIETY
Continue to convert HIGH SOCIETY into digital files by producing a HIGH SOCIETY combination e-book, audio book/ digital graphic novel/ oral history/weekly serialization at (so far) iVerse, Diamond Digital and Comixology and hope revenues can help things along by the time I’m getting paid early next year (The “Hail Mary” Pass Scenario)
STEP TWO: CEREBUS DIGITAL 6000
If more than $6,000 is raised (this is where I suspect John is pulling my leg: MORE than $6,000???) then the money would be put aside to do e-books/audio books/digital graphic novels/oral history/weekly serializations of ALL OF THE CEREBUS BOOKS, Beginning with CEREBUS (500 pages), CHURCH & STATE vol. 1 (600 pages). CHURCH $ STATE vol. 2 (600 pages), and JAKA’S STORY (500 pages).
So, okay, John (I finally agreed). But make the pledges FUNNY.
FUNNY? he says (from which I gather than Kickstarter doesn’t ordinarily, you know, DO “funny”).
Yeah, you know — our “crazy Luddite technophobe senile dinosaur hermit routine” we do on the phone.
He goes, Are you SURE?
Oh, definitely. If you want them to even READ all these pledge descriptions the LEAST you can is entertain them. Just think of it as $20 for writing stand-up if we pull in $6,080. (I knew exactly what would work on him).
And now. Heeeere’s Johnny! (he gets funnier in the Rewards section, trust me).
Thanks for reading all this (assuming I actually saved it all by hitting that green button down there)!
A MESSAGE FROM JOHN SCRUDDER:
Cerebus is a unique creation in the history of comic books. This massive story, six thousand pages in total, has attained legendary status and widespread critical acclaim as one of the most artistically ambitious projects and dramatically powerful narratives in the history of the comic-book medium. Over a 26-year period From 1977 to 2004, Dave Sim (with background artist Gerhard) published 300 issues of Cerebus on a monthly basis, ultimately creating one of the longest works of fiction in the English language.
The story follows the title character, initially a Conan-parody barbarian, through the fictional world of Estarcion into the spheres of politics, high society and religion. Along the way, Cerebus earned numerous awards and accolades for its creator including Harvey, Eisner, Kirby, Ignatz, Defender of Liberty and Shuster awards. Cerebus was named the thirty-eighth greatest comic book character by EMPIRE magazine and has been cited as an influence by an entire generation of self-publishing and Indy comic -book creators.
The primary objective of this Kickstarter project is to introduce Cerebus to a new generation of comic book fans by turning the World’s Longest Graphic Novel into the World’s Longest Audio Book with (fingers crossed) the creation of digital versions of every page of each issue of Cerebus. Every digital issue will include front covers, editorials, essays, letters and back covers and be made available as a $0.99 digital download (If this project succeeds!) In addition to digital versions of the individual comic books, Dave Sim is also providing additional audio and video content, including:
• Sim performing all of the hundreds of Cerebus characters’ dialogue as well as text and captions from the storyline for every issue
• Sim will also provide audio-visual commentary for every issue, looking back and providing his reflections and a look at all of the relevant documents in the chronological Cerebus Archive
• In addition, Dave Sim will also be shooting and narrating footage of his rough sketches and drawings (and translating cryptic entries) from his notebooks, as well as providing a never-before-seen “tour” close-up of the original art still in the Cerebus Archive (190 pages of the 500 page HIGH SOCIETY as an example) issue-by-issue.
With the additional audio and video content, The Digital Cerebus will enable a new audience, and those already familiar with it, to take the “closest look EVER” at this monumental achievement. An established classic in the medium will be introduced to a whole new generation of comic book fans in an expanded modern format.
But, at OVER 6,000 PAGES in the Cerebus storyline itself and almost as many pages in “back of the comic” essays, letters and editorials, this project is a massive undertaking.
THAT’S WHERE YOU COME IN!
All 300 issues of Cerebus have been collected in a series of graphic novels: Cerebus 500 pages, High Society 500 pages, Church & State 1200 pages, Jaka’s Story 500 pages, Melmoth 250 pages, Mothers & Daughters 1,000 pages, Guys 400 pages, Rick’s Story 240 pages, Going Home 640 pages, Latter Days 700 pages and The Last Day 240 pages. The goal of CEREBUS DIGITAL 6000 (CD6K) is that these graphic novels will, in a few years time, all be made available in universally compatible digital format.
The pages will be professionally scanned at high resolution from original artwork and film negatives.
Work has already begun on High Society, which will be available no later than the fall of 2012. Please pledge your support today and help make CEREBUS DIGITAL 6000 a reality!
UPDATE UPDATE UPDATE
Hey guys! WE’VE DOUBLED our goal in less than 24 HOURS!!! THANKS TO EVERYONE!
Dave Sim was so excited and so appreciative that he called me this morning to tell me this.
“Every Dollar beyond the goal will now be put towards a mastered soundtrack for the book and special sounds and effects and whatever else I can think of to throw in there and make it even better”
If we reach the Dream goal of 200k then Dave will be doing all of the Phone books. Each and everyone of them! (keep in mind – this will take years! :)
He also said he was going to get working on “SPECIAL” KICKSTARTER THANKS TO ALL THE BACKERS!!!
Let’s keep this train rolling folks!!
UPDATE UPDATE UPDATE! 30 MAY 12
DENI LOUBERT TO DO AUDIO TRACKS FOR THE ORIGINAL “NOTE FROM THE PUBLISHER”
You heard right folks! Not only has Deni Loubert backed the project, but she has now agreed to do the audio tracks from her original “Note from the Publsiher” from the earliest years of Cerebus
Deni Loubert was the manager and publisher of Aardvark-Vanaheim Inc. when it started oh so many years ago!
So this is very exciting news!! this project keeps on taking new shapes and forms and we’re just a little beyond the 24 hour mark!! How amazing can this project become?!
The Gene Day Award for Self-Publishing honours Canadian comic book creators who self-published their work during the previous calendar year. The award includes a bursary of $500 which is provided by The Dragon, as award sponsor.
Le Prix de Gene Day pour l’auto-édition honneurs canadiens créateurs de bandes dessinées qui auto-publiés de leur travail pendant l’année civile précédente. Le prix comprend une bourse de 500 $, ce qui est prévu par The Dragon, comme commanditaire du prix.
The 2012 Nominees are: / Les 2012 candidats sont les suivants:
Drupe – Jérémy Bourgeois Raymond Silly Kingdom: Alengrimrickshaw’s 211th Birthday – Katie Shanahan, Steven Shanahan
About Gene Day
Gene Day (1951-1982) began his career in the Canadian alternative comix scene. In the seventies he began his own publishing imprint, Shadow Press / House of Shadows and put out over twenty issues of Dark Fantasy, a horror/fantasy/sci-fi digest that featured the early writings of Joe Lansdale, Charles De Lint, John Bell and Charles R. Saunders, amongst others; a short-lived comic publication, Out of the Depths and various other one-shots, portfolios, and prints. Day drew for the Skywald magazines Psycho and Nightmare from 1974, as well as the Canadian comic anthology, ORB, and Mike Friedrich’s independent comics company Star Reach, contributing to the Star Reach anthology, Image and Quack. Day did illustrations for fantasy role-playing games and had a collection of his comic stories, ‘Future Day’, published by Flying Buttress Press as a hardcover graphic novel in 1979.
He was a longtime inker on Marvel’s ‘Master of Kung Fu’ title by Mike Zeck, starting in 1976 and later took over as full penciler on the series. He also inked on the licensed ‘Star Wars’ series, pencilled by Carmine Infantino, as well as ‘The Mighty Thor’ and ‘Marvel Two-in-One’ featuring ‘The Thing’. From 1985 to 1986, Renegade Press published four issues of Gene Day’s ‘Black Zeppelin’, an anthology series primarily featuring stories and painted covers Day completed before his death, as well new contributions by Sim, Bruce Conklin, Augustine Funnell, and Charles Vess. More of his work appeared posthumously in Caliber Comics’ anthology series Day Brothers Presents, which also featured the work of Day’s artist brothers, David and Dan Day.
Dave Sim credits Gene Day as his earliest and most influential mentor and the inspiration for his own self-publishing efforts. Gene Day was inducted into the Canadian Comic Book Creator Hall of Fame in 2007.
As of today, Toronto’s 98 branch public library system is closed.
This includes places like the Lillian Smith Branch (home of the Merril Collection of Science Fiction, Speculation & Fantasy which has a large graphic novel contingent) where we held the 2008 Joe Shuster Awards ceremony, and the Metro Toronto Reference Library, the home of the Toronto Comic Arts Festival, which is scheduled for May 5-6, 2012 — approximately 6+ weeks away
According to news sources, CUPE (the union that represents 2300+ Toronto Public Library workers) walked away from the bargaining table yesterday, as they felt that the talks with the city and the Toronto Public Library Board weren’t going anywhere. Job security seems to be the primary sticking point.
Bottom line is that for now, Toronto’s public libraries are no longer accessible to Toronto’s citizens, many of whom were able to access some very well-stocked graphic novel collections — particularly at the downtown branches. Borrowers have been told to hold on to the items they checked out of the libraries before Sunday, and that late fees will not be charged for the duration of the strike. Certainly the city’s homeless will be despondent over the lack of access to the Toronto Reference Library’s restrooms.
What does this mean, ultimately, for TCAF? For now, one would hope that the union and the city manage to get together and hammer out a new deal before the Festival, which attracts creators from all around the world and across the country, and is also the weekend for the annual presentation of the Doug Wright Awards for Canadian Cartooning.