SABA, Arn (Collins, Katherine) (1947-)

Inducted in 2013.

aardvark-vanaheim-neil-the-horse-comics-and-stories-issue-1bArn Saba (Katherine Collins) (1947-)

Making the World Safe for Musical Comedy

Arnold Alexander Saba was born in Vancouver in February of 1947. He was born into a wealthy family and was the eldest of four children.

Saba began drawing comics at a young age, having a very fertile environment in which to develop his skills. His mother, Allison McBain, was a cartoonist and comics enthusiast herself, and granddaughter of Mary “Dolly” Collins, a Manitoba cartoonist. Predominantly raised on newspaper strips and collections of Caniff and Barks, most of Saba’s earliest renderings are in a similar vein.

In 1965, Saba attended The University of British Columbia for Journalism and print production. Over the course of that program he also took a year off to travel throughout Europe and some of Canada. Also during that time he “drew a regular comic for the student paper, and it eventually devolved into a story that featured songs. I couldn’t help myself, it seemed.”

However, it wasn’t until 1975 that he first published Neil the Horse, the comic that dominated his cartooning career. Stylistically, the comic is most reminiscent of early Disney cartoons, but because of the mélange of characters, styles and form, it transgresses any real comics tradition. Saba experimented with many forms of pop culture not normally associated with comics such as paper cut outs, musicals and dances.

In 1977, Saba moved from Vancouver to Toronto to be immersed in the Canadian comics scene. He continued to develop Neil the horse publishing it in a multitude of forums, and in 1980 he published one of these stories with Potlatch Publications in the 1980 Comics Annual.

Eventually Saba was in contact with Dave Sim and Deni Loubert, and in 1982 Neil the Horse appeared in the “Unique Story” section of Cerebus No. 41. Sim reserved this section for other independent creators and so Neil was featured alongside Normal Man and Bone. But, in February 1983, Neil the Horse graduated and was featured in his own book published by Sim’s company Aardvark-Vanaheim.

Saba was even deeper in the comics community as he was also developing a five-part radio documentary on CBC, The Continuous Art, which explored the cultural position of comics. He conducted many interviews including those with Milton Caniff, Floyd Gottfredson, Hugo Pratt, Will Eisner, Jules Feiffer, and Russ Manning. His interview with Hal Foster is famous for being Foster’s last interview. Also on the radio at this time was Saba’s radio musical called Neil and the Big Banana which did very well.

Although Neil survived the separation of Aardvark Vanaheim titles as the non-Cerebus titles moved to Deni Loubert’s Renegade Press imprint, it only lasted 15 issues, the last of which came out in 1988. This did not mean the end of Neil.  Between the years of 1988 to 1993, Neil the horse was optioned in Hollywood. Saba began taking Neil in all possible directions.

Saba was pursuing three avenues of publication: the stage musical, the graphic novel and the TV series. In September of1993, all three were rejected. It was at this point Saba decided to abandon hopes of developing Neil the Horse and began to pursue other options. During this time he had been living in San Francisco for five years, and had begun to realize his transsexual transition. By the end of 1994, this transition was completed, and Saba began a new life as Katherine Collins.

At around the time Collins’ transition was complete she met and fell in love with her long time partner, Dr. Bobbie Bentley. Collins continued to work as a commercial illustrator for a couple years before departing from illustration altogether.

In the late 90s, Bobbie was diagnosed with terminal cancer. For the remainder of their five-year relationship, Collins cared for her until she passed in July of 1999. From there, Collins “drifted, without much purpose, for a few years after Bobbie died”, finding satisfaction in giving or caring for others along the way.

This was the beginning in a series of unfortunate events to plague Collins. In April of 2005 she was deported from the US, and shortly after that she was diagnosed with Leukemia. But, much like her fun themed comics, Collins did not lose sight of what was important to her.

In September 2006, after her recovery she took a course in social work and by August 2007 she was working for a non-profit agency. Katherine continues to do social work to this day, still in Vancouver, where she considers getting back into comics. She still reads them extensively.

April 2017 – It looks like the Collected Neil the Horse project is finally seeing print, courtesy of Conundrum Press.

Long Biography by Rachel Richey


Canadian (BC) cartoonist, writer, historian, stage performer, composer and media personality. Creator of Neil the Horse in 1975, published initially in Canadian newspapers for Great Lakes Publishing, and later jumped to comic books (Aardvark-Vanaheim/Renegade Press). Neil was the first all-singing, all-dancing musical comic book, with sheet music included. In 1979, wrote and produced a 5-part documentary series for CBC radio entitled the Continuous Art exploring the cultural impact of comics, featuring interviews with many renowned cartoonists (many of which were published in the Comics Journal). Retired from comics in 1991 after Neil the Horse’s last appearance in Fantagraphics’ Critters #6, although an unpublished Neil the Horse graphic novel is said to exist.

Short Biography by the CCBCAA


Following on the news that Katherine Collins will be inducted into the Canadian Comic Book Creator Hall of Fame came the news that Arn Saba’s Neil The Horse Complete Comics Stories Hardcover was announced for a fall 2013 release from Hermes Press. It was later solicited as crowdfunded project and then nothing more came of it. As per Katherine’s update in the comments, it turns out that Katherine took the project back from Hermes Press and brought it to Andy Brown and Conundrum Press, who published the collection in 2017.


The Collected Neil the Horse
Arn Saba


ISBN 978-1-77262-015-3
8×11 inches, 360 pages, b/w, softcover, $25

Introduction by Trina Robbins
Backward by Katherine Collins
And so much in between…

Neil the Horse ran 15 issues in the 1980s. With its tagline, “Making the World Safe for Musical Comedy” it is the world’s only musical comic book. It is a totally original hybrid influenced more by Carl Barks and Fred Astaire than by the underground comics of the time. Originally produced under the name Arn Saba, Neil’s creator transitioned to Katherine Collins after the last issue.

Neil and his friends Soapy and Mam’selle Poupée are a struggling song-and-dance act. Neil is a happy-go-lucky horse with a mania for bananas. Mam’selle Poupée is a romantic and lovelorn living doll from France, whose wooden body is jointed with hinges. With red circles on her cheeks, curly blonde hair, and large bust, Poupée appears to be a cross between Raggedy Ann and Dolly Parton. Soapy is a street-wise and cynical (with a heart of gold) orange alley cat, a cigar smoker and a drinker, who serves as the brains of the operation. Their magical and absurd adventures take them to outer space, the past, and the future in a mix of slapstick, romance and show business.

The book includes brand-new commentary by Collins, rare art, sheet music to accompany the stories, and reprints of early syndicated newspaper strips.

Katherine Collins, born in Vancouver, was known as Arn Saba until 1993 when she came out as a trans-woman. Arn’s mother and great-grandmother were both published cartoonists, and he started drawing comics at around age six. In 1977, he moved to Toronto and began appearing on, and eventually writing and producing for, the CBC Radio program Morningside, and other shows. He produced nearly 100 skits,  adapting classic newspaper strips. In 1979, he wrote and produced The Continuous Art, a five-part CBC documentary, exploring comics’ cultural ghettoization. It featured interviews with some of cartooning’s greatest names. His character Neil the Horse ran in Canadian newspapers from 1975-1982, and subsequently starred in fifteen comic books, from 1983–88. Neil was the first (and last) musical  comic book, with original songs. There was a five-part Neil musical comedy play on CBC in 1982. In 1993, Katherine was obliged to leave comics. This year’s Neil book is her first return to the field.


2 thoughts on “SABA, Arn (Collins, Katherine) (1947-)

  1. I have a resume of arn sabas and some advertisements from 1981 the stringbands 10th anniversary extravaganza and a caravan stage company in Horseplay poster…..a few stories like the buried moon from 1980….the potato people….some neil the horse stories along with typed notes of music an dlyrics and stating what later editions will feature……song lyrics by marie lynn hammond “soft on you”….its a bound portfolio……………just wondering

  2. This is Katherine at the typing keyboard . . . just want to add some updates and corrections.

    First, I want to make it clear how VERY important and, actually, life-saving was the Shuster Award given to me by this organisation in 2013. As I have previously reported elsewhere, in 2013 I considered my comics career to be long over. I had been boycotted by the comics business ever since 1993, when I announced my pending “gender transition”. If you’ve ever seen the hatred and lack of comprehension toward trans people in our current society, just imagine those attitudes magnified by about 100 times. Any level of hatred and rejection and insult was considered to be the “correct” attitude. When I tried to carry on with my comics career, I was either sneered at by publishers, or (more often) just ignored and never answered. I finally gave up, in 1996. I did not “withdraw” from cartooning. I just stepped back and let my career die. After that, and up until 2013, I really did not have much of a reason to live, and I was planning my death when, out of the blue, the JoeShuster group approached me, to give me their award. I was stunned. I really thought that my work was either completely forgotten, or despised. This was the beginning of my “renaissance”, which led to a second award (DougWright), and then the “Collected” book from Conundrum. I am now once again welcome to create and publish new work. Unfortunately, I have been extremely ill and “out of service” for about the last six years, and therefore not productive. But my health is finally improving, and I have tentative plans for returning to work. I hope I hope I hope.

    So a huge THANK YOU to the Shuster group, and my eternal gratitude!!

    NEXT subject: the aborted NEIL collection, planned by Hermes Press. I want it to be very clear that they did not drop my book. I dropped Hermes! I have never dealt with so unprofessional an outfit. Dan Herman was impossible to deal with — his only interest is in boasting about himself. Then he told me that the book was to reproductions of the comic books, as printed on newsprint, and at the small “comic book size”. Any other details that might have been involved were never even brought up. I dropped those clowns like the proverbial hot potato. I could tell you more, but it would just be more pathetic bullshit.

    Instead, I went with Conundrum Press, and the difference could not be more vast. Andy Brown (the publisher) is a smart, generous, tasteful REAL PUBLISHER, and the book he published for me is everything I could have hoped for. Check out their lists, folks, and buy as many as you can! Andy puts out an amazing array of the very best comics! He has said that he will publish anything new that I can ever create. I just hope that I will eventually be able to submit something to him. I have started a new (non-Neil) graphic novel, but had to put it on pause due to my “health”.

    I have been so very lucky, in being “saved” by these two invaluable Canadian comics groups. I am still largely unknown in the USA, but who needs them when I have Canada?

    LAST ITEM — who is this “Susan” (in columns above) who left a query in 2015? I don’t know what she’s talking about, but I’d like to know. If Susan ever sees this, please email me at
    In Fact, if anybody ever wishes to contact me, please use that email address. (My address since 1992.) Again:

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