Inducted in 2013.
Making the World Safe for Musical Comedy
Arnold Alexander Saba was born in Vancouver in February of 1947. He was born into a wealthy family and was the eldest of four children.
Saba began drawing comics at a young age, having a very fertile environment in which to develop his skills. His mother, Allison McBain, was a cartoonist and comics enthusiast herself, and granddaughter of Mary “Dolly” Collins, a Manitoba cartoonist. Predominantly raised on newspaper strips and collections of Caniff and Barks, most of Saba’s earliest renderings are in a similar vein.
In 1965, Saba attended The University of British Columbia for Journalism and print production. Over the course of that program he also took a year off to travel throughout Europe and some of Canada. Also during that time he “drew a regular comic for the student paper, and it eventually devolved into a story that featured songs. I couldn’t help myself, it seemed.”
However, it wasn’t until 1975 that he first published Neil the Horse, the comic that dominated his cartooning career. Stylistically, the comic is most reminiscent of early Disney cartoons, but because of the mélange of characters, styles and form, it transgresses any real comics tradition. Saba experimented with many forms of pop culture not normally associated with comics such as paper cut outs, musicals and dances.
In 1977, Saba moved from Vancouver to Toronto to be immersed in the Canadian comics scene. He continued to develop Neil the horse publishing it in a multitude of forums, and in 1980 he published one of these stories with Potlatch Publications in the 1980 Comics Annual.
Eventually Saba was in contact with Dave Sim and Deni Loubert, and in 1982 Neil the Horse appeared in the “Unique Story” section of Cerebus No. 41. Sim reserved this section for other independent creators and so Neil was featured alongside Normal Man and Bone. But, in February 1983, Neil the Horse graduated and was featured in his own book published by Sim’s company Aardvark-Vanaheim.
Saba was even deeper in the comics community as he was also developing a five-part radio documentary on CBC, The Continuous Art, which explored the cultural position of comics. He conducted many interviews including those with Milton Caniff, Floyd Gottfredson, Hugo Pratt, Will Eisner, Jules Feiffer, and Russ Manning. His interview with Hal Foster is famous for being Foster’s last interview. Also on the radio at this time was Saba’s radio musical called Neil and the Big Banana which did very well.
Although Neil survived the separation of Aardvark Vanaheim titles as the non-Cerebus titles moved to Deni Loubert’s Renegade Press imprint, it only lasted 15 issues, the last of which came out in 1988. This did not mean the end of Neil. Between the years of 1988 to 1993, Neil the horse was optioned in Hollywood. Saba began taking Neil in all possible directions.
Saba was pursuing three avenues of publication: the stage musical, the graphic novel and the TV series. In September of1993, all three were rejected. It was at this point Saba decided to abandon hopes of developing Neil the Horse and began to pursue other options. During this time he had been living in San Francisco for five years, and had begun to realize his transsexual transition. By the end of 1994, this transition was completed, and Saba began a new life as Katherine Collins.
At around the time Collins’ transition was complete she met and fell in love with her long time partner, Dr. Bobbie Bentley. Collins continued to work as a commercial illustrator for a couple years before departing from illustration altogether.
In the late 90s, Bobbie was diagnosed with terminal cancer. For the remainder of their five-year relationship, Collins cared for her until she passed in July of 1999. From there, Collins “drifted, without much purpose, for a few years after Bobbie died”, finding satisfaction in giving or caring for others along the way.
This was the beginning in a series of unfortunate events to plague Collins. In April of 2005 she was deported from the US, and shortly after that she was diagnosed with Leukemia. But, much like her fun themed comics, Collins did not lose sight of what was important to her.
In Spetember 2006, after her recovery she took a course in social work and by August 2007 she was working for a non-profit agency. Katherine continues to do social work to this day, still in Vancouver, where she considers getting back into comics. She still reads them extensively.
Long Biography by Rachel Richey
Canadian (BC) cartoonist, writer, historian, stage performer, composer and media personality. Creator of Neil the Horse in 1975, published initially in Canadian newspapers for Great Lakes Publishing, and later jumped to comic books (Aardvark-Vanaheim/Renegade Press). Neil was the first all-singing, all-dancing musical comic book, with sheet music included. In 1979, wrote and produced a 5-part documentary series for CBC radio entitled the Continuous Art exploring the cultural impact of comics, featuring interviews with many renowned cartoonists (many of which were published in the Comics Journal). Retired from comics in 1991 after Neil the Horse’s last appearance in Fantagraphics’ Critters #6, although an unpublished Neil the Horse graphic novel is said to exist.
Short Biography by the CCBCAA
News: July 2013:
Following on the news that Katherine Collins will be inducted into the Canadian Comic Book Creator Hall of Fame comes the news that Arn Saba’s Neil The Horse Complete Comics Stories Hardcover has been announced for a fall release from Hermes Press.
Neil the Horse has long been acclaimed as one of the most innovative and charming comic creations of the 1980s. It has often been compared to the best work of Walt Disney; fans of the strip will finally be treated to a comprehensive reprint of this important strip. Now for the first time ever all of the classic Neil the Horse comic books are collected together in the definitive archival edition. Fully authorized by its creator this book is reproduced from the original artwork.
Collects issues #1-15 with an historical essay by Trina Robbins and documentary material. Also available in a signed limited edition with 32 pages of extra material and a signed tipped-in plate.News: October 22, 2013:
From the looks of it preorders were not as strong as required to print this ESSENTIAL collection and Hermes Press has had to turn to crowdfunding to raise money to do it. The release and weblink are below:
Greetings from Hermes Press! We are a comic book and popular culture art publisher based in New Castle, Pennsylvania. We are a family business that has existed since 2001, and run our company with only 3 full-time employees, along with our unpaid office-dog Moose. Over the years HP has reprinted such titles as The Phantom, Buck Rogers, and Dark Shadows. We have also dabbled in new works such as Scratch9.
Our newest reprint project, Neil the Horse, is a reprint of the much-beloved 1980s Canadian comic book series created by Arn Saba (now Katherine Collins). Hermes Press wants to print Neil the Horse, but to do that we need your help!
We are already working on restoring the pages, but don’t have the dedicated funds to print the book. Until we do, it’ll just be sitting on our desktops! By helping us fund this project, you will be saving an iconic series. Neil the Horse will always be in comics history. But we want more for our horsey hero. How about letting him live again?
Neil and his friends Soapy and Mam’selle Poupée are an always-struggling songand-dance act. To gain success, they will go anywhere, do anything, and put up with anything — like a trip to Hell, or captivity inside a video game, or a gang of slap-happy aliens in a stunt-driving saucer. Oh, and a drunken and disorderly back-up band of cats.
Neil is a happy go-lucky (and not too bright) horse with a mania for bananas. He’s one heck of a tap-dancer and singer, and he can also get down to breakdancing. He adores his two pals, and will do anything for them.
Mam’selle Poupée is a romantic and lovelorn living doll from France, whose wooden body is jointed with hinges. With red circles on her cheeks, curly blonde hair, and large bust, Poupée appears to be a cross between Raggedy Ann and Dolly Parton. She is a serious dancer, and practices at the studio every day.
Soapy is a street-wise and cynical (with a heart of gold) orange alley cat, a cigarsmoker and a drinker, who serves as their trumpet player, manager and the brains of the operation. Neil thinks that Soapy is the smartest guy in the world . . . and he just might be right.
The book includes an introduction by Trina Robbins, and brand-new commentary by Neil’s creator, Katherine Collins. There’s also some rare art, and souvenirs of the early career of Neil.
Help us help you get this project started so that we can successfully reprint Neil the Horse!
So what exactly do we need this money for? All of our work in done in-house, so that’s already paid for by our boss, but we are lacking funding in one very specific area: printing. The cost to print this kind of book is pretty high if we do it correctly (and we want it done correctly!)
We want $15,000 to pay for printing the book, as well as shipping it back to the United States (we print in China). None of this money will go to anything but our printing costs, because we want, more than anything, to preserve this comic series.
If you help us, beyond the satisfaction of knowing that you put your money to a good cause, you can also get a copy of the finished book if we get funding!
We want to keep this simple and keep costs down, so the only real perks are the regular edition of the comic book reprint or the special limited edition version, with extra pages, and signed by Katherine Collins. The regular edition is priced currently at $60.00, and the limited edition at $95.00. You’ll also get your name in the Thanks page if you donate $25 or more!
Every project Hermes Press has done has been a success. This time we decided to reach out to the fans, old and new alike, and see if they’d like to be a part of the process from the beginning, instead of just at the bookstore.
By reprinting Neil the Horse you will be helping preserve a unique comic creation. Not to mention Making the World Safe for Musical Comedy, of course!